Inspiring Quilting: Elly's blog to boost your creative IQ

Archive for the ‘Exhibitions’ Category

More from Connected by Stitch

Monday, October 24th, 2016

Sharing today some of the more sophisticated, inspiring pieces at the show. Apologies that the photography is not up to par, but google these artists and see more of their work on their websites.

Cindy Friedman discusses this quartet (quadriptych?), like much of her work, a mirrored shadow-play. I always wanna shadow Cindy in her studio!

Marty Ressler created a paean to the oldest tree in America. Found objects and unusual colors grow along the bark.

Sara Mika of Mock Pie Studio Art Quilts cooked up another view of tree-hugging…and one of the most colorful pieces.

Elizabeth Bennett gave up using lots of little shapes to go in a new direction. Very modern, just enough hand-quilting in lines that playfully balance and complement.

Elizabeth Danish put the inexpressible sadness of a flood that took many family lives into this piece, and into the moving statement she delivered.

Lots of interesting techniques in this piece by Paula Swett. I sure want to know more…

Susan Leonard often works in series of circles in squares, exquisitely, perfectly rendered…and she generously divulged the secrets of her techniques.

A second Susan Leonard piece is called School Daze, as its plaids reminded her of what she (and we all) wore…

Made with silk ribbons cut from vintage Japanese kimonos. Elena Stokes is great at flow, no?

Patricia Kennedy-Zafred transfered vintage photos from the old west onto feedsack bags.

I covet this vividly, visually textural diptych by Donna Albert, with images of bamboo stalks at the center of each. What’s the feminine form of the adjective masterful?

Posted in Art + Quilt, Exhibitions, Inspiration | 6 Comments »

I’m flummoxed but grateful that my piece, Swimming Upstream, was juried into the show, Connected by Stitch, the first Pennsylvania regional show by the international Studio Art Quilt Associates (SAQA) at The Gallery at Penn College for the next 6 weeks. And I feel privileged to be among some mighty fine fabric artists.

at-gallery2

Let me share just a few of my faves in this show. I loved this little underwater paradise, a colorful, crocheted coral reef on a bed of quilting. It’s by Stacey Hortner. She’s since made this in monochromatic beiges, to express her concern over the bleaching of coral reefs, due to the massive amounts of CO2 mankind has imposed.

dscn0898

dscn0902

Another fun piece, with a message, is this one by Peggy Hracho. It’s got an abundance of felting, embroidery, quilting. The little girl is exhorted to “go for it,” i.e., touch the art quilt–something most quilt venues don’t allow.

dscn0879

dscn0903

dscn0906

Very exciting for departing from the usual shape and look of a quilt, is by Meredith Re Grimsley. It’s a life-size self portrait, painted and quilted, remarking on the fact that the dress no longer fits; the artist now occupies a different place in her work and in her life.

dscn0861

Finally, before I hit the sack, gotta launch one more photo, a ship by Meredith Eachus Armstrong. Fabric and wood, sculpture more than quilt. dscn0901

This Meredith, more than any other Meredith or any other person, is responsible for making this wonderful show happen. Kudos to her, from me and everyone who agrees that non-traditional contemporary quilt art really floats our boat.

Posted in Art + Quilt, Exhibitions, Inspiration, Personally Speaking, Recycled Art, Unusual Materials | 4 Comments »

Cut-Ups for Quilt-Art

Monday, August 22nd, 2016

Here’s one piece of fabric from the painting play-date I described last month:

DSCN7806

I hated the result. But that doesn’t mean certain areas didn’t have potential. I cut up sections I liked, and fused them to Peltex–thick interfacing. The kind I had featured fusible on both sides, but I only adhered to one side, protecting my ironing surface from the other side with a Teflon pressing sheet.

Then, I mined for gold: went through my scrap stash of mostly silks and silky fabrics for collage candidates in warm colors and light, medium, and dark accents. When I found a piece that played well with my painted background, I pressed fusible web to the back, and without measuring, I scissors-cut strips and rectangles. Auditioned some arrangements. Fused the scraps in place. Quilted to make the compositions more cohesive. Couched cord or chenille yarn around the edges for a finish.

Center-of-Gravity

Center of Gravity, 13″x 7″

galactic-donuts

Galactic Donuts, 6″x 4″

Those painted backgrounds are pretty well covered up, I confess. Can you find the areas of the painted fabric at the top that I used for each piece?

Posted in Art + Quilt, Exhibitions, Gift-Making, Inspiration, Surface Design | No Comments »

What’s new is Oldham, Todd Oldham

Tuesday, June 14th, 2016

All of Everything refers to the many materials, styles and themes that Todd Oldham used to put into his fashion. It is the name of the show, the first major exhibition to focus on the exuberant style and playful aesthetic of Todd Oldham’s runway opus of the 1990s. I just saw it at the Rhode Island School of Design (RISD) Museum; it’s there until Sept. 11.

Some glimpses that us quilters will love…that is, IF you’re into All of Everything, and everything but the kitchen sink in your fashion!

Patchwork

Different types of fabrics and patterns in the coats above and below, and in the mock-up with glued wool that was photographed and used for a print.

DSCN6827

DSCN6821

Patchwork with Woven Ribbons

DSCN6799

Embroidery

DSCN6800

DSCN6802

DSCN6795

DSCN6790

Button Embellishment

DSCN6873

Beading, Quilting

DSCN6812

Knitting, Lacing, Surface Design, & Beading

DSCN6876

DSCN6809

This last pièce de irresistance was the culmination of a class Oldham taught at RISD in 2014. Except for this collaboration, it has been 14 or 15 years since he’s designed fashion. In the years since, he’s been putting All of Everything into interior design, kid-crafts, and other follies for Target, Old Navy, La-Z-Boy, Escada, movies, and TV. Check out his home here!

13OLDHAM-slide-TAJ3-facebookJumbo

Posted in Exhibitions, Fashion or Costume, Quilted Accessories, Surface Design, Weaving | 1 Comment »

LOUD Conversation prints!–Love ’em!

Wednesday, June 1st, 2016

DSCN6623

Contemporary wax printed textiles stretched onto frames—I’m guessing 24″ x 36″— like art: as stunning as the fashions in the Creative Africa exhibit currently at the Philadelphia Museum of Art’s Perlman annex. Did you catch my blog post about that? you can look at it here.

The comments are really interesting, as comments always are! The print below, though it seems to belittle conversation and communication, nonetheless speaks to the way all us quilters silently express ourselves through cloth:

DSCN6614

Although most people think of them as African, the fabrics are designed by Dutch designers and made in the Netherlands by Vlisco. Still, they are inspired by African motifs and symbols, and made into clothing and worn mostly by Africans. Here’s a photo from the collection of African architect Francis Kéré, also shown in the PMA exhibit:

DSCN6657

Clearly, the fabric you wear is an important way of expressing who you are. And your position in society. Here, the reference is to bolts of fabric included in an African woman’s dowry.

DSCN6616

I naturally gravitated toward other motifs related to cutting and stitching:

DSCN6633

DSCN6632

Symbols of upwardly mobile wealth, especially for women in the market and on the go, also take the forms of fancy shoes, wheels, and cars.

DSCN6631

DSCN6624

On the grill of a luxury car, the Vlisco logo takes over for Mercedes Benz.

DSCN6639

DSCN6640

Think those cracks in the side mirrors of a Mercedes refer to our warped perceptions of where we’ve come from, i.e., our humble beginnings? Or literally to the batik process of breaking up the wax painted on the fabric so dyes can seep into the cracks?

Another traffic-related print poses the question, are you heading towards love or money?

DSCN6646

Perhaps the most “out-there” fabric from 1953 features a traditional patchwork design around a sort of fertility mandala, shall I say? It’s named after an African proverb that translates to “children are better than money.”

DSCN6648

Stay tuned. My next post will show some distinctly African-made fabrics. In the meantime, how do YOU use conversation prints in your work?

Posted in Color, Exhibitions, Surface Design, Unusual Materials | No Comments »

Out of Africa? Wearable Art

Saturday, May 28th, 2016

Stunning fashion at the Philadelphia Museum of Art stirs up passions…and questions. Those who know global fabrics have long recognized that the colorful fabrics long associated with Africa come from Europe, particularly the Netherlands. Which begs for an understanding of colonialism and economic exploitation. In any case, Africans as well as Europeans have embraced the fabrics, combining them in ways wild but wearable, even for large ladies.

safe_image

From its website (http://www.philamuseum.org/exhibitions/845.html):
Vlisco: African Fashion on a Global Stage, April 30, 2016 – January 22, 2017

Explore how the Dutch company Vlisco became one of the most influential textile brands in West and Central African fashion and a design inspiration around the world. Known for its bold and colorful patterns, Vlisco creates fabrics that marry tradition with luxury. This exhibition highlights the company’s classic and new designs, follows the creation of a textile, and showcases a selection of contemporary fashions by African and European makers as well as Vlisco’s in-house design team.

The wax printed textiles associated with Central and West Africa have a surprising history. Although consumers in Africa and the diaspora embrace them as African, the fabrics have long been designed and manufactured in Europe, and now in China and India. The most luxurious are the wax prints designed and made in the Netherlands by Vlisco. Shortly after its founding in 1846, the company began exporting imitation batiks to the Dutch East Indies (Indonesia). Three decades later, Vlisco found a new market in West Africa. This exhibition is offered in conjunction with Creative Africa, a season devoted to African art and design.”

Have a look!

DSCN6588

DSCN6599

DSCN6589

DSCN6590

DSCN6605

DSCN6606

DSCN6594

DSCN6595

DSCN6596

DSCN6597

DSCN6598

DSCN6600

DSCN6601

DSCN6603

DSCN6602

DSCN6604

DSCN6607

DSCN6593

Sumptuous, right? Would you wear any of these wow’ems?

Posted in Color, Exhibitions, Fashion or Costume, Inspiration, Quilted Accessories, Wearable Art | 12 Comments »

Diaspora in 3-D

Sunday, April 24th, 2016

It took a phenomenal exhibit to move me back to blogging mode–after months of merely Facebooking (sigh).

Out of Africa: Primal Diaspora, by Buff McAllister; Crossings II, by Sandy Gregg; and Generation 2500, by Barbara Schneider

Stories of Migration is a joint venture by SAQA–Studio Art Quilters Assoc. and the Textile Museum, now housed at GW University in DC. It takes the concept of diaspora, and moves it far beyond the traditional dispersal of Jews following the destruction of the Temple. From the Greek–a scattering or sowing of seeds, it now covers any body of people living outside their homeland. Psychological and evocative reactions and political ramifications are powerful. But because movement and geography, or space, are inherent to this theme, I am moved to share with you just a few pieces that go beyond the art quilt on the wall and take less usual positions.

Above, that big ball is a rolled up strip, 300 yards long, with overlapping hand-prints to depict the people and the journey of homo sapiens over 2500 generations.

Below are three shots of an installation piece by Sara P. Rockinger. She is interested in how “global social issues intersect, overlap, and become stitched together through shared human experience.” Handmade clothing from different cultures are molded and stiffened. Video projections allow the viewer (i.e., me) to become part of the experience, called In/Visible.

DSCN6356

DSCN6324

DSCN6353

Jane Dunnewold is a favorite artist of mine, working in fabric, paper, and lots of surface treatments. Taking a vintage quilt and handmade and vintage papers, she has used collage and weaving, added spackle and gold leaf to rework the idea of a soft covering for a bed into a symbol of transition and paradox. The title, “Receptacles of Memory,” can be applied to a great number of the pieces in this exhibit.

DSCN6337

DSCN6338

DSCN6350

I’ve also followed the evolution of Susan Else from quilter of bed quilts to art quilts to fabric sculpture. Above and below is her “Crossing Points.” She explains that decades of injury and counter-injury and outside interests catch people up in a web where they have nothing to lose by leaving.

This piece sits beneath a site-specific installation by Consuelo Jimenez Underwood, called “Undocumented Border Flowers.” Underwood was invited to submit work, as were other celebrated artists (Faith Ringgold is another one). The rest of the artists were juried in.
DSCN6332

More human-scaled, and perhaps more accessible, is this wonderful evocation of what it is to be an urban nomad. Kristin La Flamme has made a shopping cart over into a village, using fabrics from army uniforms, yarn, floss, and bungie cords. It’s called, “Home is Where the Army Sends Us.”

LaFlamme

Hoping this blog post sends YOU to see this exhibit before it closes Sept. 4. And, if you’re still reading, I have a copy of the exhibit catalog to send to someone. Share your personal migration story in the comment box below. Not much room, I know, so try to use fewer than 50 words. I’ll pick one that particularly inspires me and mail you out this full-color collection showing all the pieces in the exhibit.

Posted in Art + Quilt, Exhibitions, Inspiration, Travel | 9 Comments »

Let It Flow

Saturday, October 24th, 2015

DSCN0401

Ahoy there, mateys! Just picking up from my posts of June 29 and July 1. Seems like I row row row my boat, get off of it, get back to it, and row some more. Isn’t that how everyone courses through their bigger projects?

Please excuse the metaphors, if they don’t float your boat. Always thinking of my son and his fiancee as they about halfway through their one-year trip sailing the Great American Loop, which you can read about on their blog, sailbatic.al.

To refresh everyone’s memory, including my own, the wind beneath my sails is a challenge from Quilts for Change, titled Water Is Life. See this post for info, and this post for my launch of the project.

The weavings came together, with lighter and darker sections cut in curves and overlapped, as shown above. Then, I added stream of consciousness phrases with free-motion script:

Justice
transparent governance
wellsprings of knowledge
flow of info
ponder policies
unclouded judgement
funding streams
wo/mandates
fathom the depths

After that, some dense quilting in wavy lines. Then appliques to lighten some areas, tone down others, add interest and contrast and texture.

DSCN0469

The finishing was a whole ‘nuther trip around the bend. One rust binding all around wasn’t enough, so that became an inset with a pieced binding.

DSCN2905

Still not enough. So I auditioned several different sizes and colors of rickrack. Aqua, white, yellow, blue and gold…

DSCN2893 white rickrack

Opted for a yellow green to add light to the whole. Or, as a mutiny against spending more time and angst over this piece. (I’m ready to set sail on a new project.)

Yes, after months, I have finally reached the shore and completed my art quilt today! And submitted images, a bio and a statement.

Title: Let It Flow

Water is a deeply complex issue, swirling with interwoven challenges of safety, security, social justice, and access.

Only transparently clear, progressive, democratic governance can ensure a good flow of information and funding streams.

As the traditional water gatherers who understand what is best for their communities, women deserve a place in discussions and decision-making. When mandates become “womandates,” results are life-affirming.

Done! And 9 days before the deadline: a record for this captain of last-minute industry. Making art and quilts is usually a lonely, isolated journey, so comments and constructive criticism are always very welcome!

Let-It-Flow,ELevie – Version 2

Posted in Art + Quilt, Exhibitions, Personally Speaking, Surface Design, Weaving | 4 Comments »

Best in Show

Wednesday, July 15th, 2015

Can’t make it to the Dairy Barn in Athens, OH, where the incomparable juried venue for art quilts, Quilt National 2015, is on view. (dairybarn.org) But got the catalog, and immediately fell in love with the quilt on the cover.

Picture2-400x400

I’ve got extraordinarily good taste: the piece, shown below in its entirety, justifiably won the Best in Show award.

Girl in the City with Blue Hair, by Karen Schulz 32″ x 59″

As any quilt lover will tell you, an image is a far-distant second to seeing a piece in the cloth, aka up close and personal. So I was thrilled to take a road trip to the Black Rock Art Center in Germantown, MD (near Rockville and Gaithersburg), where I could see several pieces by Karen Schulz. This one commands the space:

Out the In Door, by Karen Schulz 58″ x 66″

Out the In Door (detail), by Karen Schulz

Also from Karen’s Schapes—er, Shapes series, are these somewhat smaller pieces:

Beckoning 1, by Karen Schulz 50″ x 40″

Beckoning 2, by Karen Schulz 47″ x 47″

Sorry if the spacing is crazy in this post–I’m struggling with technology here! Derry of Gloderworks will no doubt come to my rescue.

Getting back to the important spaces: Notice how vibrant color blocking in one work is followed with subtle, sophisticated hues in the next. No matter the color palette, the hand-dyed fabrics are warm and rich. The shapes are monumental, angular, powerful. Quilting patterns—whether thin lines or free-motion zigzags alternately on the horizontal and on the vertical, deliver smart, modern textures that perfectly complement the shapes. And taking the minimalist work to another level entirely: A counterpoint of comparatively delicate, sketchy lines–couched, embroidered, or quilted. A lyrical dance on a stage of massive columns and platforms. Or, as Karen describes her her process on her website, “I am drawn to the tension created by the simultaneous holding of opposites. Circles and squares, stasis and movement, light and dark, the flat plane and three dimensional space; each is needed to highlight the other.”

Here’s the third one of the series, all of which certainly beckon my attention:

Beckoning 3, by Karen Schulz 40″ x 27″

Beckoning 3 (detail), by Karen Schulz [The blue shown in this photo is really off!]

Smaller pieces that rock my core:

Stonehengeish, by Karen Schulz 28″ x 48″

Stacked, by Karen Schulz 26″ x 20″

Bend, by Karen Schulz 45″ x 25″

The title of this last piece aligns with the fact that the artist is a clinical social worker who only recently gave up her private psychotherapy practice treating children, families and adults to devote full time to her art. Bend, as in, stay flexible, be willing to change and grow. Or, as in, that Eleanor Levie is really ’round the bend. Just kidding. No really. Well, I am crazy about Karen Schulz’s current body of work. If you are, too, mark my words: Given recent awards, this art quilter’s prices should surely be on the rise. Art collectors, this is the finest in contemporary art… in the medium of quilting. In my book, that means all the rich color of painting, and all the rich texture of sculpture, plus all the rich associative evocations conjured up by fabric, thread, and quilt history. Would one of these works by Karen Schulz look good in your home?

Yup, Karen Schulz is my new favorite artist. And that’s before I saw her picture on her website, www.karen-schulz.com. Wait: I know this person! She was in a Sue Benner class with me at QSDS many years ago. She was warm, composed, quick to laugh, yet determined to apply what she learned to composition with expert crafts(w0)manship. And clearly, in the intervening time and with the same deep integrity, she has learned to bend shape and line into extraordinary, masterful compositions. I’m proud to know her, and to have this opportunity to rave about her art quilts!

Posted in Exhibitions, Inspiration | No Comments »

Volcano Season!

Thursday, January 8th, 2015

VolcanoSeason-ELevie-LR

The Slow Stitching Movement: So. Not. Me.

This is me: Scraps on the floor after another obligatory project is due and done. Restless rumblings. Silk, rayon, and frenetic free motion stitchery building, colliding, bursting, erupting—all in the course of one intense evening—just don’t ask me how I define “evening.” Ideas surge and flare, drowning out the inner mom trying to guilt me into cleaning up before starting something new, the urges to check the computer screen one more time, the calls from the hubby to come to bed. This is how I do my best work, imho. If only this brief season of volcanic creative activity would strike more often than once in a blue moon!

But opportunity may strike for you! Here’s how:

1 Day (Feb. 4) — 100 Artists (I’m one of ’em!) — 100 Patrons (You could be one!) — $10,000 for the American Cancer Society. My 8″ x 10″ art quilt, which I call, “Volcano Season,” is one of the amazing 100 art quilts that could be yours. Mark your calendar: Wednesday, February 4, 2015, at 10 a.m. Central. The first 100 people to contact Virginia Spiegel at her website, VirginiaSpiegel.com will be given a link to donate $100 by credit card directly to the American Cancer Society through Fiberart For A Cause. Somebody gets my piece. But oh, you gotta check out the talented quilt artists–lots of big names–who are also among the 100 contributing artists. This site shows you a bunch: http://www.pinterest.com/…/the-100-fundraiser-to-fight-can…/ You’d contribute to the ACS anyway, right? Be on time, and the bonus is gonna be bodacious in your abode.

What about you? Do your brainstorms erupt suddenly? Or build quietly over time?

volcanoseason-elevie-detail

Posted in Art + Quilt, Exhibitions, Inspiration, Personally Speaking | No Comments »