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Inspiring Quilting: Elly's blog to boost your creative IQ

Art Quilt / Trad Quilt

October 1st, 2026

Distilling the comparison of my previous blog…

Here are three wall hangings celebrating the 250th at Pennsylvania National Quilt Extravaganza, from a challenge by a Pennsylvania quilt guild. From left to right: A bargello version of the flag, a center medallion with borders, and a small rectangle of even, geometric blocks. Each is an original design, well-constructed, crisp and neat.

Now take a look at three art quilts from Art Quilters Celebrate Independence, a juried exhibition by Studio Art Quilt Associates of Pennsylvania, also in honor of the 250th. Each features symbolism depicting a particular point of view:

Faded Glory, by Frances Anne Frederick –This version of our flag shows the grandur of Old Glory diminished, with falling stars, lightning bolts, bullet holes, noxious creatures, and ragged edges.

Liberty, by Gay Bitter, has similarities to the traditional medallion in the first photo: center pictorials and text, surrounded by perfect patchwork blocks. However, Gay has deconstructed the Liberty Bell –its dome on the top third, its clapper on the right, her bowtie/hourglass blocks depict the red states mostly separate from the blue states, and she and latches onto a quote from John Adams: “Liberty, once lost, is lost forever.”

Keystone, by Peggy Black, is made up of patchwork blocks like the geometric design in the top photo on the right. However, here, an improvisational construction takes the place of repeat blocks, rendering the work a sophisticated abstract. Also, there’s meaning: down the vertical center, the blocks symbolize the 13 colonies, with Pennsylvania, the blue quadrangle in the center. Pennsylvania is called the Keystone state, and that architectural term refers to that block at the top of an arch that unifies and holds all the other blocks together…Just as Pennsylvania operated as a political center for early colonial resistance.

What other distinctions can you make between traditional quilted wall hangings and art quilts?

Please leave your thoughts in a comment below!

Posted in Advocacy, Art + Quilt, Color, Exhibitions, Inspiration, Quilt blocks, Statement Art | 2 Comments »

2 Responses to “Art Quilt / Trad Quilt”

  1. RoselinCoarm says:
    October 2, 2026 at 3:52 am

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  2. Carl T. Harrington says:
    October 2, 2026 at 8:18 am

    Where can I see these quilts in person?

    Reply

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Art Quilts and Wall Hangings for the 250th

September 28th, 2026

So proud of curating, along with my team, a juried, regional exhibition of art quilts from Studio Art Quilt Associates of Pennsylvania. Innovative fine art in the medium of quilting. This exhibition had a fabulous premiere at Moore College of Art & Design in Philadelphia, the summer of 2026, where professional installers helped our volunteer committee do great justice to these artworks. First seven photos here are by Alden Cole:

In mid September, the exhibition went on to the Pennsylvania National Quilt Extravaganza in Oaks, PA. Our team altered the arrangement to fit a series of curtained cells.

There were many traditional quilt guilds that took up the theme of our semiquincentennial. The contrasts with our art quilts were striking: patterns were symmetrical and based on patchwork blocks. Red, white, and blue flag palettes, plus lots of stars and stripes, heralded the auspicious anniversary of the Declaration of Independence, but went no further in commenting on the state of the union…except for that last patchwork quilt with a political message. Art quilt? Or a banner fit for carrying in a rally declaring independence in 2026?

Posted in Advocacy, Art + Quilt, Exhibitions, Statement Art | No Comments »

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Vintage X 2

January 15th, 2026

Two old tops, one new quilt for our bed!

Here’s the tag from the top I purchased:

And equally inexpensive, a scrappy quilt top makes for the reverse of our “new” quilt:

Which side do you like better?

Why not two separate quilts?

First, more bang for the buck: Hired the amazing longarmer Carol Heisler-Lawson of Lorac Designs — https://carolheisler-lawson.com/ — to bring her hand-guided artistry to a single project.

Second reason for making this quilt reversible? Versatility, natch, but in our new home, an apartment with limited storage space, I will have to fold and put away only one bulky bedcover when I switch to our lightweight summer quilt.

Of course, there was more work to go into this project. Before the quilting, I covered small and large mildew stains on the scrappy top with vintage and repro fabric blocks and patchwork units.

After quilting revealed a tear, I quite luckily found a scrap of vintage fabric that was a close match and appliqued a triangle on top.
Finally, fabric from equilter.com provided the crisp striping for the binding, but since the white was blindingly bright, I made a brew of tea to dye it, giving it the necessary patina of time.

###

Posted in Antique & Vintage, Quilt blocks | 1 Comment »

One Response to “Vintage X 2”

  1. Ella Wright says:
    September 5, 2026 at 11:45 pm

    Honestly, the way you handled those vintage quilt tops to save space is lowkey genius—it’s such a clever solution for small-apartment storage. I’ve been trying to find ways to keep my own patterns organized, and honestly, using Transform pet photos into coloring pages to convert some of my sketches into actual templates for testing has saved me so much time.

    Reply

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Newest, biggest trash-stash art quilt!

October 4th, 2024
My booth at Da Vinci Art Alliance’s Everyday Futures Fest, April 21, 2024, which featured the theme of Sustainability, welcomed crafters of all ages. Supplies: 6″ squares cut from coffee bags (coffee GROUNDS), and 2″ squares cut from single-serve TEA bag packaging, glue sticks.
Participants, a multi-generational, diverse group, needed very little guidance from me.

Next, I chose a site for the trash-stash art quilt, which would give me the dimensions. Nancy Agati’s Aqua Terrace at Da Vinci Art Alliance was the perfect space, since this work would withstand the elements. We chose the long, narrow wall alongside DVAA’s back door, above the basement doors.

I cut a piece of Eco-felt, which is made from recycled plastic bottles, to the size of the final art quilt. Inspired by the mosaic circles on the Aqua Terrace floor, and in order to prevent the design from becoming too busy, I decided to give the viewer’s eye a place to rest: two large silvery moon shapes, made using a stitched patchwork of coffee bags and other foil-lined packaging. Then, I arranged the blocks around these circular shapes. When I was satisfied with the arrangement, I stitched the blocks together into rows, and then I stitched the rows together into sections.

I quilted heavily along the tea-bag envelope squares, and left large areas of the moons without quilting, so they would be puffy. Recycled zippers accented the circumference of the moons. Everything was backed with another layer of felt, cut 2″ larger all around, with edges folded to the front to form a binding. I dressed up the folded edge by couching silver cord as I secured the felt edge. Four grommets–which may have been the hardest part of the quiltmaking for me–allowed the piece to be hung. Samantha Connors, Executive Director of Da Vinci Art Alliance, hung out the office windows to do the mounting.

Posted in Art + Quilt, Just for fun!, Moon, Quilt blocks, Recycled Art, Unusual Materials | 5 Comments »

5 Responses to “Newest, biggest trash-stash art quilt!”

  1. Carl Harrington says:
    October 4, 2024 at 1:40 pm

    Beautiful and a perfect fit for the DVAA patio!

    Reply
  2. Cathy Perlmutter says:
    October 4, 2024 at 3:36 pm

    I love it! I hope it inspires many more. And then maybe some company could collect them, sew them all together, and create ecologically responsible and artistic reusable termite tents…camping tents… home and building exteriors…or insulation that you’re proud to show off!

    Reply
  3. alden cole says:
    October 4, 2024 at 8:50 pm

    Congratulations on a remarkable endeavor Eleanor.What a cool gift for the new year.

    Reply
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  5. Fradele Feld says:
    December 24, 2025 at 2:08 pm

    Hi Eleanor,
    I just found your website after all these years. I took a workshop with you to make the Hamsa many years ago which everybody loves and I’m now doing something for my art quilt group and I want to use teabags again. I’ve been saving them forever. anyway I’m so glad to see your work and I’m so sorry that I didn’t know about your exhibits. Would you please let me know if you have any further exhibits in the Philadelphia area Thank you.

    Reply

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Entangled

April 25th, 2024

It’s a wonder I was able to submit this art quilt on time for the call for entry into Art Quilt Elements 2024 at the Wayne Art Center. It’s a wonder my piece was juried into this very pretigious exhibition which runs from March 24 to April 27. I am even more amazed–absolutely gobsmacked! — that my piece, “Entangled,” was given the SAQA award, for being”compelling, dynamic, and innovative,” according to Bruce Pepich, one of the jurors.

I almost didn’t get it in: Days before the deadline and just before leaving on a plane for the Netherlands, I stayed up most of the night to finish the piece. In the morning I’m ready to do the photography. My good camera falls off the tripod and breaks. Cell phone camera is sub par–only good for FB and Insta. So, I took the art quilt with me in my suitcase. The owner of a camera store in Leiden, where my husband and I were staying, said he could do “product shots” for me, but not until the day after the deadline.

My saving Graces: I had made a date to meet Marijke Van Welzen, a masterful wearable art talent. She and her husband Isaac gave Carl and me a terrific guided tour of Rotterdam, then took us back to their home. Marijke helped me shoot the art pieces with her Iphone Mini 13, and Isaac photo-edited the shots to my liking. Late that night, hours ahead of the deadline — but only because we were in a much later time zone! — I submitted.

Happy dance! I learned that my piece was accepted!

On March 24, 2024, I arrived for the opening reception at Wayne Art Center, in Wayne, PA. Felt so good to be in-person with many art quilters I know and follow and whose work I adore. And to have my art quilt hanging alongside work by the best quilt artists of our time.

See the artwork in the show here: https://artquiltelements.org/aqe-2024-online-exhibition/

Really cannot believe I won the SAQA award–one of 4 given out, chosen from out of 50 stunning works.

Here is the info and my artist’s statement, as submitted and as printed in the catalog:

Entangled

2023

21” x 44”

It starts from a calm base: an organized plaid and two slim bands of verdant mini dots. From there, my composition ascents to an upholstery fabric remnant, over-printed and stenciled with intertwined brambles that spill out over the top and sides. Even in a bright spot, circles of abaca and plastic mesh seem to unravel in spiraling thread tails. This jumble of layered entanglements epitomizes much of my quilt art and captures the terrifying complexity of today’s world. Politics deteriorate, war decimates, global warming seems unsolvable. I am lucky to find stress relief in surface design and thread play, my art therapy, meanwhile hoping that all may find more bright spots in our lives.

Posted in Art + Quilt, Personally Speaking, Surface Design, Uncategorized | 3 Comments »

3 Responses to “Entangled”

  1. Carl Harrington says:
    April 25, 2024 at 10:50 am

    Well deserved. It’s a great quilt. Clearly the best one in the room it’s in at the show! And it shows better than it looks in the photo.

    Reply
  2. Kim Moll says:
    April 26, 2024 at 6:45 am

    What an inspiration! Your work is amazing.

    Reply
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And all that jazz

May 25th, 2022

After following the dazzling techniques Pat Pauly taught me for printing fabrics and creating strong compositions with them, I feel pretty proud of my latest art quilt.

This piece started with a fabric that featured yellow-gold leopard spots on a white background. In Pat’s Glorious Prints class, I added visual texture by stenciling, squeegeeing, and “drawing” big, black arcs with a squeeze bottle. For maximum kickiness, I brought in black fabrics stamped by the Textile Workshop and discharged by Lisa Reber of Dippy Dyes, plus graphic black & white commercial fabrics–a large checkerboard and little polka dots. One of my husband’s worn-out pin-stripe shirts and a batik gave me more contrasts in pattern and scale. Here, I’ve done a bunch of cutting and piecing, improv-style.

I composed with units in various ways, and asked my Facebook friends to help me decide on the strongest composition.

A was the clear winner, especially since that version got the votes of not only Pat Pauly, but also Elizabeth Busch–another brilliant art quilter. Rather than voting, my buddy in Studio Art Quilt Associates (SAQA) for Pennsylvania, Camille Romig, wrote “Jazz” in the comments, naming the piece perfectly for me.

The composition went through some further finicky piecing as it came off the design wall…

…and then I rotated it, added a border along the top, and carved out a couple of chunks from the bottom. My feeling is, since my art quilts aren’t going on stretcher strips or into a frame, they are free to diverge from the rectangle.

For the quilting, I reunited with my HQ midarm, which hadn’t gotten much use in way too long a time. Was quick and so much fun. Here’s the finished art quilt:

Jazz, by Eleanor Levie

It’s actually one of the very few art quilts I’ve made that I don’t wish to part with! And I cannot wait to use this method again of composing with a combo of my hand-printed fabrics and bold commercial fabrics.

#artquilting #quiltart #printingwiththickeneddyes

Posted in Art + Quilt, Color, Quilt blocks, Uncategorized | 6 Comments »

6 Responses to “And all that jazz”

  1. Pat Pauly says:
    May 25, 2022 at 10:57 pm

    Well, I thought I recognized this ! It reminds me of a medieval banner. The form is great.

    Reply
  2. Donna says:
    May 26, 2022 at 6:02 am

    Love this piece! Great job. So dynamic!

    Reply
  3. Marnie says:
    May 26, 2022 at 8:39 am

    This is great Eleanor. Love your fabric choices. This gives me ideas.

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    May 26, 2022 at 2:44 pm

    Your work is a true inspiration! I love how you keep growing and challenging yourself. BTW did you know that Elizabeth Bush was a college chum of mine?

    Reply
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    May 28, 2022 at 6:59 pm

    I love it, I’m seeing shiny gold jazz trumpets, saxophones and trombones, emitting dancing black musical annotation! I especially love those black loopy loops!

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Crested Cranes, Part II

July 6th, 2021

The skinny quilt is finished! I sure hope my Kenyan collaborator Meryline Ingaso likes it, and that folks out there will want to bid on it when the Advocacy Project holds its auction of art quilts later this year, which will raise funds for services that will benefit Meryline and her Sister Artists.

But first, here’s the skinny on African crested cranes: thanks to storyteller.travel for this info and video!

1–The African crested crane is quite the looker: light blue eyes, bright red neck, and gorgeous plumage on its head. It stands at over 3 feet tall and from wing-tip to wing-tip can measure over 6 feet. Despite such a wingspan, the adult weighs less than 8 pounds. Hollowed out honeycomb-like bones means the bird is light enough to take flight.

2–It’s the national bird of Uganda (right next door to Kenya) and featured on the Ugandan flag. The marshes and flat grasslands of both Kenya and Uganda offer the birds everything they love in a habitat. Rather than migrating, crested cranes tend to stay in place throughout the year. However, their habitat is slowly being depleted, due to over-use of water for irrigating fields of crops. So, the population is declining and the crested crane has been designated as endangered.

3–The Crested Crane is quite the omnivore gourmand, eating leaves and seeds from a variety of plants, as well as insects, worms, and frogs. These birds have also been seen eating small fish, snakes, and various aquatic eggs.

4–Romance is in the air: Crested cranes choose a partner early on, and mate for life. The only cranes to nest in trees, they build nests that are high up, safe from the reach of predators. Females typically lay between 2 and 4 eggs in a clutch, and the eggs are ready to hatch in about 30 days. They are then ready to breed when they reach 3 years of age, and given their long life-span — about 22 years, they have plenty of years to find a mate and lay lady lay.

4– Not just for courting and breeding, crested cranes love to dance at any time of the year. Young birds often join in the dancing.

Moving on, I think I managed to combine the three sections — raw-edge applique landscape, Meriline’s embroidery, and a woven expanse — into a cohesive whole, 12″ x 48″. The quilting certainly helped integrate and tame the disparate elements, especially the warp and weft strips of the bottom section.

Facings along the long side edges kept the piece from feeling too circumscribed and hemmed in. African fabric for a top border, and a bottom border of batik couched with ribbon was, to my thinking, just enough definition.

And here we are!

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Posted in Advocacy, Art + Quilt, Color, Inspiration, Nature, Statement Art, Tour Another World, Weaving | 2 Comments »

2 Responses to “Crested Cranes, Part II”

  1. Gill Rebelo says:
    October 16, 2021 at 10:06 am

    Hi Eleanor,
    I’m Gill Rebelo, a quilter from from Kenya and I work with the group of embroiderers in Nairobi. I was thrilled to see the quilt you made with Meryline’s beautifully embroidered Crested Cranes. You captured the essence with your inspirational choice of fabrics. Thanks so much for helping us.
    Gill

    Reply
    • Eleanor Levie says:
      November 24, 2021 at 10:38 pm

      My apologies for the late reply. You are very welcome, indeed. It was my honor and privilege to frame this lovely embroidery in an art quilt as long as the legs of the crested crane! I hope Meriline Ingaso gets to see her work as I have glorified it, and approves!

      Reply

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Crested Cranes of Kenya

June 28th, 2021

Let me introduce you to my most recent art partner, Meryline Ingaso, who lives in Kangemi, an under-served neighborhood of Nairobi, Kenya. She writes:

Hi! I was born 17/12/1996. I am an orphan, a mother of two kids, all girls. The first, 6, is in baby class. The second, 3, is not yet in school. I earn a living as a mentor. I do voluntary work to empower girls on how to protect themselves in this pandemic. There have been a lot of challenges e.g. buying food and paying rent. But I get a little support from washing cloth to people. That’s how I survive.

Beautiful, inside and out. Hard-working. Creative. Caring. Nurturing. Meriline has joined with forty other “Sister Artists” who under the auspices of the Advocacy Project and during the height of the pandemic, produced beautiful embroidered blocks depicting Kenyan wildlife.

I answered the call to choose a block and incorporate it in an art quilt, and Meriline’s “Crested Cranes” called out to me. The finished piece will be auctioned off to fund services that benefit Meriline and others like her. Maybe you’ll become the proud owner for the completed piece, or another featuring a Sister Artist and a quilter?

By the way, two years ago, I participated in a similar project celebrating the creativity, in embroidery, of young women in Mali. That time, security issues surrounding these women who were victims of sexual violence prevented me from knowing the artist’s name. Nevertheless, I was proud to support the cause and create a Mali Medallion around the charming village scene. Read my story about the making of that art quilt here.

This time, the plan is for a Skinny Quilt. If you know my books, Skinny Quilts & Table Runners and Skinny Quilts & Table Runners II, you’ll be aware that this long narrow slice is my favorite way to compose. And that I love to weave with a variety of textiles. I decided to elaborate on the cranes pictorial with a new, l-o-n-g weaving easily composed on my Big Board. And on top, I added a little UFO — a landscape I threw together long ago in Sue Benner’s exciting Composition Quartet class. My goal is to integrate the three sections so they are cohesive and hopefully flow together.

In addition to my usual weft of commercial fabric and assorted ribbons, I’ve included trimmings from my recent art quilt made with fabric I printed or discharged, and strips cut from upholstery samples. Always keeping Meryline’s charming pictorial close at hand, I tried to bring out the colors she used.

Stay tuned for the quilting and finishing!

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Posted in Advocacy, Art + Quilt, Nature, Tour Another World, Uncategorized, Weaving | 2 Comments »

2 Responses to “Crested Cranes of Kenya”

  1. bonnie tarses says:
    June 28, 2021 at 9:01 pm

    Totally love what you do! Brava!! We really need to meet up virtually. Inspiring! xoxo, Bonnie

    Reply

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Take a class, for goodness sake

March 11th, 2021

No excuse not to refresh your skills, broaden your outlook, and fall in love again with fabric when there are so many great instructors teaching on Zoom these days.

No better teacher (in my book) for sharing how to advance and enhance your skills in improvisational piecing and composing than Pat Pauly. I had the pleasure of taking her new class, “Make It/Break It” this week. My fabulous classmates, all FOPs (fans of Pat) were attending live and online from Germany, Canada, and different parts of the USA. Because in this day and age, we can do that.

Pat puts her mark on her work by exclusively using her own printed fabrics, almost all with large-scale designs.

And we FOPs followed suit, either using fabrics we printed in Pat’s Glorious Prints classes, or with half-yard purchases of Pat’s creations.

Here’s my design wall, at the end of Day Two. I’m getting somewhere…

The husband passed by and remarked, “It’s certainly different than most of your work.” That’s a good thing; I am quite pleased to be setting off in a different direction. It’s like hitting a refresh button. Boosting confidence in your design skills and aesthetic sensibility. Honing your critical eye while you give yourself permission to play.

Take a class, or a workshop. Try a new direction…something different, or beyond your comfort level. Just google a subject that intrigues you and see what opportunities present themselves.

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Posted in Art + Quilt, Inspiration, Just for fun!, Quilt blocks | 2 Comments »

2 Responses to “Take a class, for goodness sake”

  1. Pat Pauly says:
    March 11, 2021 at 10:45 pm

    Oh, gosh, glad you shared this class to “the world” but not just how we make such dynamic works. Whit 10 people working away, each was so strong and different. Your work is still yours, no question. But I know we all did a lot of reconfiguring how to use improv better. And yes — get out and take a class! I do. Thanks for your kind thoughts.

    Reply
  2. Marnie Mascioli says:
    March 13, 2021 at 1:02 pm

    Loved the class and your Blog Eleanor. Can’t wait for our reunion.

    Reply

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Trees with Human Traits

March 2nd, 2021
“Aurora,” by Libby Cerullo

Standing upright, their branches like outstretched arms, certain trees certainly take on the spirit of a human being. Quilt artist Libby Cerullo has a really lovely series of trees in diaphanous frocks. Here’s how Libby works–and I trust she will correct me if I’ve got this wrong: A photo she has taken gets transferred to fabric, using a service like Spoonflower. A following stage involves dressing her subject with appliques of chiffon or organdy with a translucence that allows the photo to show through. Makes me want to dance until dawn!

On a recent trip to Denmark this winter, my family and I got many chances to commune with the trees. Covid lockdown prevented us from going to museums or shops, so hikes to various woods and sculpture parks proved to be the cure for our cabin fever. In the cold, damp environs, many of the trees wore skirts of moss. Such wearable art gave the man-made art some stiff competition:

Makes me want to sew and wear a green velvet midi.

Other trees were gnarled and burly, like an old village elder:

Many a tree sported facial features:

These trees resemble a couple who have grown apart…or two people with different outlooks on life:

Human relationships, as expressed with trees, brings us back to two more exquisite works by Libby Cerullo:

“Mother/Daughter,” by Libby Cerullo
“The Lovers,” by Libby Cerullo

How have you engaged with trees as if they were people?

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Posted in Art + Quilt, Inspiration, Nature, Personally Speaking, Statement Art, Uncategorized | 2 Comments »

2 Responses to “Trees with Human Traits”

  1. Libby Cerullo says:
    March 3, 2021 at 9:25 am

    Thanks for including my work in your exploration and connections with the trees in Denmark. For me, trees are companions, and my reactions to them become self portraits. I am on to making more, but the next ones show another side. Wait and see. And there are some planned that (so far in my mind) are just play. We’ll see. Cheers to spring!! The trees will let us know when it’s time!

    Reply
  2. Kay Hamman says:
    June 25, 2022 at 2:29 pm

    I love the idea of clothes on trees! I am going to experiment with doing that to some applique trees that I want to put into a quilt top.

    Reply

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