Eleanor Levie HomeAboutEditorial ServicesBooksGallerySpeaker TopicsWorkshopsPast BookingsFree StuffLInks Contact Me

Inspiring Quilting: Elly's blog to boost your creative IQ

Archive for the ‘Inspiration’ Category

Guilty Pleasures, Quilty Art: Part II

Tuesday, March 25th, 2014

cat

 

Hurray! Art Quilt Elements (AQE) 2014 opened this weekend at the Wayne Center for the Arts, just west of Philadelphia. This biennial juried show of 43 works–chosen from hundreds of entries–commands the well-deserved respect of the quilt world, and SHOULD command the respect of the comtemporary art world. Let me share my snaps, which in no way represent the grandeur, the texture, the tactile delight. Note that I’ve linked each artist’s name with her website–go and learn more if you have the time. Above, my picture of the Best in Show, Zeitgeist (fondly nicknamed Grumpy Cat), by Kristin LaFlamme. I think it’s got a real pop art meets 70s vibe meets anime, with a bit of Missoni stuck in. About 7 feet high, so it commands the space. Click on Kristin’s name above, and check out the personal musings, including her response to winning Best in Show, plus her thoughts on the Snyderman Works show which I reviewed in my last blog post.

On to other highlights of the show. There are MANY, and I don’t want to test your patience, and will also limit this show ‘n tell to those works of artists  who were present and granted me permission to share. Again, let me urge you to click on the link of anyone whose work resonates with you, and get to know these amazing and innovative talents a little better.

Burr

Marianne Burr explains her lavish use of hand-stitching and layering, as evidenced so richly in “Eleven 3 Thirteen,” above.

Below, Cynthia L. Vogt, “Otaru Winter” is elegance incarnate, with an Asian accent. Silk log cabin blocks set off the lines that represent Japanese rooftops peeking through in the snow.

whitelog

whitelog-wArtist

 

 

 

 

 

 

 

 

Large-full

 

 

 

 

 

 

Large2

Quite possibly the largest piece in the show: Elizabeth Brandt‘s Random Thoughts,” 130″ x 81″. Part of her Karma series, and for me, the karma is abstract expressionist art that rivals any work at MOMA. BTW, her improvisational process is followed by lots of free motion stitching —  on her regular sewing machine. Did I mention the dimensions–130″ x 81″? Rolled into the harp of a regular machine?!?

I took a day off to bask in the community of my creative betters, having signed up for a Studio Art Quilts Association (SAQA) symposium. Fascinating to see how quilt artists work fiber into their lives, peering by way of PowerPoint into a few studios to understand how they live and work. It was such a nurturing environment of artists who share the results of their struggles, experiments, and relentless journeys from perceived failure to success. I am absolutely in awe of those who make it their business to make art.

Joy, joy, lucky me, I got to sit at a table of uncommon women, all whose work has been celebrated in major shows:

  • Dianne Koppisch Hricko, the mistress of transparency
  • Amy Orr , the high priestess of used credit cards and other post-consumer ephemera (see my post about FiberPhiladelphia 2012–which Amy directed, and specifically my visual rave of her House of Cards)
  • Katherine Knauer, whose art quilt, “Fracked,” went deep to make a powerful environmental statement
  • And the tres charmante Benedicte Caneuill — her piece in the show, “Jungle Fever,” had me begging her to teach a workshop where I, too might drag combs, rubber styluses, and trowels over wet painted cloth, then cut it up, trade with other students, and compose away. She is waaayyy too humble.

Benedicte1

Benedicte2

Benedicte3

AQE and SAQA events fill my head with inspiration and aspiration. Why am I blogging….and cooking and cleaning and catering to loved ones and doing volunteer work and…..when I could be playing with cloth? How do you set aside the mainstays of living for art as a pastime, and find the time to create? How do you lose the guilt to quilt?

And who am I to kvetch, when I get to see such glorious creations up close and personal, and meet the unique talents behind them?!

Guilty Pleasures, Quilty Art: Part I

Monday, March 24th, 2014

Hold onto your soft, cushiony seats, folks. Over the next  month, Philly is a contemporary quilt-lover’s paradise, but if you cannot get here, I’ll guide your armchair-travels via this blog post and the next one.

Here, I’ll share three of my faves from the Fiber Biennale, now showing at the Snyderman Works in Philly. Think fiber is a  field for females? Think again. These pieces are all by men, and each is a legend in his own time.

mcqueen

 

I’ve never seen a John McQueen that wasn’t a shapely vessel. But this sculptor/basketmaker bar none has created a comparatively flat piece from poplar, pine, and birch bark. For me,  I’m reminded of a contemporary applique quilt…just not soft. “After Dark Comes Calling,” 2011, 36″ x 42″

 

 

 

Warren Selig, professor in the Fibers/Mixed Media program at the University of the Arts in Philadelphia–who calls Rockland, Maine home– insists on redefining textiles.  Just as quilting stitches produce a play of light and shadow, so do the stainless, intersecting rods with clear acrylic spheres that extend 5″ from the wall. Titled “Shadow Field/Crystal Path,” it extends to 83″. Gallery co-owner Ruth Snyderman stands alongside for a sense of scale.

selig w Ruth

selig detail

Finally, no show, no collection of top-tier quilted art could be without a piece from Michael James. Professor in Textiles at the University of Nebraska – Lincoln, James gives a nod to the traditions of cloth, piecing, and quilting stitches. Yet he soars by using digital textile printing to play with pattern in ways that reference dreams and memories. What a calm feeling washes over me as I study “Lands End: Quiet Hour,” 2014, approx. 51″ x 54″. Full view and detail:

MJames1

                  MJames-detail

 

Neither my photos, nor the greatest, most professional photography can come close to seeing these pieces “in the cloth”…er, or steel, or bark. Go to snyderman-works.com for more info. I must caution you, seeing only makes you want to touch, and you can’t touch–unless you buy. And these masterworks will cost a pretty penny. And why not? For all their humble materials, these pieces, and dozens of others in this extraordinary show that is always two years in the planning, represent the best contemporary art. The fact that it’s categorized as fiber art doesn’t make it less worthy of our esteem as any of the fine arts. In fact, for me, it holds a much greater interest. This show will challenge you to question what is fiber? What is art? And leads to that perennial discussion (and my next blog post) of what is a quilt? Man, oh man, oh man, we’re having fun in Philly.

 

 

 

 

 

Simply Flowers

Thursday, March 6th, 2014

There were dozens of dazzling, grand-scale arrangements at the Philadelphia Flower Show this year:

P1010675   P1010678

P1010683   P1010679

P1010778   P1010779

P1010708

P1010784  P1010787

P1010680  P1010682

Of course the aromas and the views of these wow’ems from all sides add a whole lot to the horticultural spectacle…sometimes to the point of stimuli overload.

Maybe that’s what makes me gravitate to the small, simple designs. Call me a minimalist, but I defy you not to fall in love with the following charmers. Just one type of flower–and fairly common, affordable ones at that:

P1010780

      P1010688

Add just one more floral element, twigs, a leaf…

P1010694

 P1010777

This next one’s gigantic, but it’s only roses and pussy willow, inspired by a future installation at Storm King Arts Center:

8

A pairing of two common houseplants…but a closer look  reveals a very uncommon placement of buds at the base of the philodendron (?) leaf. Can anyone id either of these plants for me?

P1010810

By now, you’ve got me pegged as a sucker for singular simplicity. It’s always been that way, I think, even guiding the choices of quilt designs I’ve put into my books.  My “Ttableleaf-rev (2)able Leaf,” from Skinny Quilts & Table Runners, shows how just one  leaf can be quite striking.

 

 

 

 

 

 

 

In Skinny Quilts & Table Runners II, check out how Jane Davila’s appliqued “Las Hojas” or  Frieda Anderson’s pieced “Blushing Aspens” make one type of leaf in multiple dance across the background.

C-4-LasHojas

C-37 BlushingAspens

Or how about a single type of flower, like “Wisteria Lane,” by Melinda Bula, or “The Dahlia is a Diva,” by Julie Popa of Sunflower Hill ?

C-29-Dahlia   C-48WisteriaLane

After working for months on a big, spectacular, multi-block queen size bed quilt or tour-de-force wall hanging, who wouldn’t want the simplicity of a skinny slice of a project, one with just a fewer patterns, ease of assembly, a chance to just dip into a playful, new technique. But what is it about simplicity that makes a design, whether with florals or fabrics, cause our emotions to burst into bloom?

Tell me your thoughts about simplicity or florals in quilts or whatever this blog post inspires you to write in the comment box below. You could be the lucky winner of autographed copies of both Skinny Quilts & Table Runners and Skinny Quilts & Table Runners II!  The Philadelphia Flower Show runs thru Sunday, March 10, and I’ll choose a winner from among the comments at the end of that day.

 

 

 

 

 

 

Art-i-culture

Tuesday, March 4th, 2014

Horticulture inspired by the arts–that’s the theme of  the 2014 Philadelphia Flower Show.

begin

Picture frames invite you to see the floral designs as art forms.

1

At its most exciting (for me), the floral arrangements immediately call to mind the work of specific celebrated artists. For example, spheres of blooms may appear as  Seuss-ical celestial systems. But step directly in front of the frame, and Wassily Kandinsky is in the room.

2

2a

Bet you can guess whose work inspired the following vignettes…

3   3a

4

5

5a  5b

 

 

5c

5-6

For some reason, I’m not quite sure why, the priceless fine art masterpieces cannot be exhibited alongside the arty horticulture. I do think that showing printed images of signature artworks would help folks make the parallels, give this show many teachable moments, and make fine art accessible to a new crop of viewers! After all, you might go Mmmm at these compositions, but the satisfaction is so much greater if you are familiar with Mondrian, Monet, Matisse, and Magritte.

So how great is it when the actual painting that inspired the floral design can be and IS exhibited alongside it. Paintings by students at PAFA–the Pennsylvania Academy of Fine Arts have mood and color palettes picked up by the floral designer. Sooo cool.

6

7

As always, I loved being at the Philadelphia Flower Show–especially just after yet another snowfall and with wind chill temperatures dipping down to the ridiculous.

In a future blog post, I hope to point up with my pics how floral designers in this show successfully use the elements of art: color, texture, line, rhythm, balance, unity, and so on.

But I can’t sign off ’til I touch on quilting! Don’t wanna get into that timeworn debate of quilts as art vs. craft. Except to opine that taking a traditional craft form and infusing it with all the elements of art takes it to a different realm. Whether your palette is paint, or flowers, or fabric, all you need is inspiration!

Do add your comment! I’d love to hear how ART is at the heART of what you do, and if you draw on fine art as inspiration for your quilting.

cover

Gifting Personalized Miniatures

Saturday, December 21st, 2013

I have a passion for little things in life. Dollhouses, tiny dolls, miniature villages and train displays, demitasse cups, bonsai, newborn babies—who isn’t captivated by these wee charmers?

mini-fini 2 (2)

For personalized gifting: my mini cactus garden

Those were the words that introduced my book,  Marvelous Miniatures, part of the Rodale’s Successful Quilting Library Series. And years before that my first book ever came out: Great Little Quilts: 45 Antique and Doll-size Quilts with patterns and Directions (Harry N. Abrams). Another book I authored is Creations in Miniature: 101 Tiny Treasures to Stitch & Craft (published by Krause). See a little trend here?

Yup, I love quilting and crafting miniatures…especially when they are quick. As gifts, they can be very personal. And no risk: unlike a big quilt, they can be displayed anywhere at all.

Here are three gift minis that arose out of creative playtime. The first one is quite recent:

 

 

1. Mini Cactus Garden

This year’s Christmas gift for dear friends who travel and therefore cannot water houseplants regularly and who adore their springer spaniel.

Materials:

Cactus pot from my local Lowes, tiny jalapeno peppers, black heavyweight thread, two old paintbrushes, iron vintage look dog figurine, engraved and plain polished stones.

How-To Tips:

Thread peppers onto black thread, making knots to keep them separated. Tie ends onto paintbrushes and insert into pot. Set figurine and stones in pot.

cactus (2)    pepper-stringing (2)

peppers,strung2 (2)

mini-fini -detail2 (2)

 

2. Alice-in-Wonderland Treasure Chest

For a wonderful, witty, and fabulous BFF, a Lewis Carroll fanatic and a high-powered NGO advocacy leader in Washington DC, who lives an adventure filled with comic characters, changing scenes, and strategic challenges.

Materials:

Small wood chest/jewelry box, photocopies of illustrations from Alice Through the Looking Glass, vintage-look tissue paper, decoupage medium, mini, 3-legged “table” to keep a box lid off a pizza, green leprechaun’s hat from a St. Patrick’s Day cupcake, a playing card, plastic miniatures–dresser with mirror, perfume bottles, Alice doll,  playing card, Happy Birthday confetti, bits of lace, ribbons, ribbon rose, watch works, stickers, glue dots and hot glue.

Alice-1

alice-3 (2)

 

Note: That special Lewis Carroll quote I printed must surely resonate for my friend, and for all of us:

“It would be so nice if something made sense for a change…”

How-To Tips:

Different adhesives performed different jobs in this assemblage. Brushing decoupage medium under and over photocopied illustrations–torn or cut–and tissue paper, I decorated the insides of the lid and box. Using tweezers to keep fingers from getting burned, I hot-glued the heavier playing card, plastic figurine and other assorted items in place. Glue dots came in handy for the tiniest items, and stickers stuck as expected.

 

alice-4 (2)

3. Box in a Box in a Box

This gift was inspired by a niece who’d just received her PhD in archaeology. After wrapping a piece of jewelry by a local artist in a small box, I incorporated the gift box into a larger, personalized scene. Invited the hubby and son to add their congrats, then packed it off, well-padded, in a slightly larger box.

Materials:

A cigar box (chosen as my niece’s name is part of the brand name), text pertinent to Marcie’s dissertation, which concerned pottery in ancient Greece, typed and printed out on old, scroll-look paper, hand-made ceramic buttons, ribbons and twine, currency, an engraved stone, and a Playmobil figure with relevant accessories.

How-To Tips:

As described above with number 2, various adhesives did the necessary securing of objects. The little gift box, wrapped in the same text document as the background, was too camouflaged to be seen. That’s why I had to direct attention to it, with a little OPEN ME post-it.

Marcie-PhD-box 1 (2)

   Marcie-PhD-box 4

Marcie-PhD-box 3 (2)

Marcie-PhD-box 2 (2)

 

Last-Minute Friendly?  Not so much!

Stay on the lookout all year long for inexpensive little items that speak to a loved one’s interests. Neighborhood tag sales and garage sales nearly always include minis, from Happy Meals to games with only some of the playing pieces. Buy polished rocks with a little saying at museum shops and gift stores.  Whether you send handmade gifts,–whether it’s quilty or crafty, or just participate in the packaging and wrapping of gifts…it’s an impressive show of love. Keep it fast and fun. And make it  personal. Such touches make these gifts that will be kept and cherished!

Please leave a comment before the year ends, telling me what you pursue in the miniature creative realm. I’ll award a copy of my book, Creations in Miniature, to each of three lucky mini-lovers! Be sure to subscribe, and you’ll get wind of new postings—approximately two per month.

Hope your holidays are hugely enjoyable, and may all your problems be miniature ones!

 

 

Let us all praise purple

Friday, December 6th, 2013

On last night’s Project Runway All Stars, the challenge was to give Marge Simpson a new dress—for the very first time!—to wear on a date night out with Homer. The purple color of the winning dress was the perfect complement to blue hair and yellow skin. And the designer, Irina Shabayeva recognized Marge’s cute figure and comfort level in featuring a strapless dress that showed some leg and could be belted or left to fully swirl.

I adore purple for the way it partners with yellow, chartreuse, and yes, even orange. Purple represents royalty, piety, the pathway for bridging Republican Red and Democratic Blue. The Purple Heart is given for courage. And purple grapes can ferment so deliciously. The Beatles have their White Album. Here’s my Paean to Purple:

News flash! The fashion and decorating color experts just announced ORCHID as the color for 2014. Close enough.

Leave a comment, telling me how you prize The Color Purple in your quilting. I’ll award a bag of scintillating scraps from my stash of purple fabrics to the one whose comment most captures my imagination or tickles my fancy. Friday the 13th at 12 noon (EST) is your thriller-diller deadline. Don’t think pink. Think purple.

PS–I just put together the purple prize. Some pieces are indeed large scraps, but others are 2 yards. Total is more than 8 yards. Worth winning, wouldn’t you say?

purple prize

I Kit You Not

Tuesday, October 15th, 2013

ToLrunner-EL

A tug in opposing directions has characterized my quilt publishing career through the years. On one side, I am pulled by the needs of a broad range and huge numbers of quilters who lack the confidence to create their own designs, and so they look for designs they love to reproduce. In books, patterns, and kits, the quilting industry is set up to cater to these folks.

On the other side, I can’t deny a tepid feeling about a copycat quilt, one that’s perfectly faithful to the original. Even when the original is an amazing antique classic that has entered the public domain.

Maybe that’s unfair. After all, when I made the table runner pictured at the top of this post, I certainly started with inspiration: an ancient Sephardit design that originated in Spain or Portugal. The Etz Chayim—Hebrew for Tree of Life—is a symbol for Jews’ most sacred object, the Torah. It also represents family, growth, and strength.

I fully expect folks to start with an existing design–you have to start somewhere! This is exactly why I produced the book Quilt Blocks Go Wild!, which allows you to take a classic block and do something exciting to it, to make it your own. I simplified the tree for a second rendition, offered as a workshop for the Pomegranate Guild of Judaic Needleworkers.

TreeOfLifePillow

 

 

 

 

 

 

 

 

 

 

For the first time in my teaching career, I was tasked with providing kits to the participants. With a little reluctance, I took orders for a honey, natural, or lavender linen-blend fabric. But I drew the line at including any other specifics, and merely set out stacks of different-color felt for tree trunks and piles of fabric fat quarters and scraps for leaves. I explained to the class my discomfort with straight copying, and my hope that they would each apply their own a personal stamp or different color palette, a unique perspective on the project. Students went well beyond my expectations, and I had the privilege and fun of helping each participant ensure a good contrast, balance, and the injection of her own personality. The resulting quilt tops present a varied grove, a treasure trove of uniqueness. Check out the fabulous, fused appliques below. Kudoes to those who cut an unusual, chunky tree, added a “carved” heart on the trunk, a bird’s nest of eggs, or unusually shaped leaves.

  P1010183 P1010185 P1010186 P1010187 P1010188 P1010189 P1010191 P1010194 P1010197 P1010199 P1010200 P1010201 P1010202

By the way, the how-to’s and the actual-size pattern for the Tree of Life pillow—no kit available! is on my website’s free & fun link; click here for that. But the Pomegranate people let me know they planned to use their designs for wall hangings, tabletoppers, challah covers, and other applications.

What do you think? What’s your take on patterns and kits? What inspires your creativity?

Man Bag

Wednesday, August 14th, 2013

 

Julian,Sherrs (2)

“Today I am a man.” This is the proclamation given by a 13-year old Jewish boy as he becomes a bar mitzvah–son of the commandment. At one  time, the ripe old age of 13 –12 1/2 for a girl–meant eligibility for marriage. While that’s no longer the case, and while no one throws such a child the car keys or lifts the weekend curfews at this stage, the occasion does herald an elevated status and increased responsibilities. For example, a 13-year-old boy counts towards the minimum number of people required for opening up the sacred book of the Torah. He can be asked to be a pallbearer. He is expected to fast at Yom Kippur, the day of Atonement. In progressive Jewish communities, these are all true for a girl, or bat mitzvah, as well.

My cousin–twice removed, as we count the generations between us–reached this milestone earlier this summer.  At which time his mother released the most wonderful, exuberant family picture. Which I photo-transferred to fabric, framed with fabric, and made into a bag.

julianbag-materials2 (2)

Such a patchwork treatment is tote-ally appropriate for a man bag… NOT. And I hardly expect my cuz to carry it as he goes about with his pals. Still, his “Today-I-am-a-man-bag” was a good place for me to tuck in a check, and I would hope that it can maybe hang in his room, holding some photos, albums, cards, and other souvenirs of the big day.

julian-done (2)

I’d love to get your comments sharing how you personalize gifts of money, or tote bags. And to see a ton of quick, easy-to-make, and wonderful bags by celebrity quilters, do check out my book, Unforgettable TOTE BAGS. It’s a free giveaway for every single attendee if I’m giving a trunk show or other presentation to your guild in the next year…or while supplies last. Otherwise, it’s almost a giveaway on my website.

For anyone wishing to frame a photo on a bag, I offer these how-to’s, which encompass a bunch of my quilting shortcuts:

1–It’s just a tote bag, not an heirloom.  So yes, you’re supposed to soak fabric in Bubble Jet Set or other product before doing the photo-transferring, in order to prevent the image from fading over time. But again, it’s just a tote bag. You might want to forget about all that prep work.

2–Use a ready-made tote bag as  a lining–you know you’ve got a bunch of  canvas totes with irrelevant logos splashed on them.  Let the dimensions dictate the bag you make. Use a permanent-ink marker on the logo-less back to write a message to the recipient on the bag. Alakazam: combination gift, gift bag, and card!

3–Iron the fabric to paper-backed fusible web. This is usually done with freezer paper, but either way, the paper backing stabilizes the fabric so that after you trim it to 8 1/2″ x 11″ it can pass through your printer. Now, it’s a piece of cake to pull off the release paper and fuse the photo-transfer to the center of a rectangle of fabric that’s just 1/2″ larger all around than the tote bag. This background fabric will be used as a foundation; you won’t see it, so it doesn’t matter what it looks like, as long as it doesn’t have a dark graphic that might show through the photo.

4–Pin coordinating fabric strips to one side of the photo, with right sides together and raw edge of the strip overlapping the edge of the image by 1/2″. Stitch, 1/4″ from the raw edge, then press the strip to the right side. Repeat on the opposite side of the photo, and then on the two remaining sides. This makes a frame, like Log Cabin Courthouse Steps variation.

5–For a Pineapple Log Cabin with the look of photo corners, lay short strips of contrast fabric (here, red) across the corners, with right sides together. Stitch, turn outward, and press.

6–Repeat steps 3 and 4. Add framing strips until the bag is 1″ wider than the tote you’ll use as the lining, plus an additional 3″ at the top.

7–If you want, place the bag front on batting, and quilt as desired. I didn’t.

8–Cut a same-size rectangle for the bag back. Place the back and front together with right sides facing, and stitch along the sides and bottom, 1/2″ from the edges. Turn the top edge 1/2″ to the wrong side, and press.

9–Make a boxed bottom: If the tote bag has a bottom, measure how deep it is. With the patchwork exterior still wrong side out, align the bottom and side seams to create a triangle. Stitch the base of the triangle, so that the height of the triangle is equal to the depth of the tote bag bottom–or the depth of the bag you want to create.

box-bottom1 (2)

10–Turn the patchwork bag right side out. Cut off the handles of the commercial tote bag, and turn the bag wrong side out. Stuff it into the patchwork bag, aligning the side seams and bottom. Turn the 3″ excess over the rim, pin along the folded edge, and stitch.

11–If you want, stitch down into the bag as far as your machine can, to quilt or at least secure the exterior and lining of the bag. I didn’t bother.

12–Add back those handles. I actually ditched the ones that came with the commercial tote and used two 20″ lengths of black webbing.

13–Stick a check or gift certificate into the bag and mail it to the lucky recipient!  Mazel tov!

 

Do your quilts look like you?

Monday, July 15th, 2013

It’s often said that people look like their dogs. Undoubtedly, when folks you look for a pet, on some level, mostly subconscious, they look for something that is a bit like them…in physical attributes or personalities.

At the opening reception of Sacred Threads art quilt exhibition on Saturday, I asked lots of the artists who attended to pose with their pieces.

dscn0353 (2)

Susan Leonard with her “Silken Masks”

And in reviewing these photos two days later, I am struck by the similarities of the woman and her work. On some level, this is a well, duh! conclusion. Of course our art is a reflection of our essence, the depths of our emotion—from buoyant joy to the darkest depths of grief, our memories and dreams. Of course we choose the colors and patterns we love for making quilts for our walls as well as for clothing for our bodies.  I would go so far as to suggest that creative self-expression calls for an acceptance one’s self and a confidence to share: This is who I am.

PollutionintheGulf

Pollution in the Gulf, by Marianne R. Williamson

Marianne with her granddaughter, Sabina

Marianne with her granddaughter, Sabina

Karen S. Riggins and her piece, “The Feminine Embraces”

 

Linda K. Bell with “Life is Change”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Shabbat Blessings,"  Susan L. Robbins

“Shabbat Blessings,” Susan L. Robbins

"Welcoming Doors," with Deborah Sorem

“Welcoming Doors,” with Deborah Sorem

 

French Canadian Dominique Ehrmann was invited by the Sacred Threads organizers to share her very large and dimensional installation, “Come and Follow Me.” It’s easy for me to see this artist in the folk-art figure of the girl as seen from the back. There’s an upbeat, bright, positively Pollyanna attitude about every layer of this stage-set, with many backstories to tell. And it certainly matches my impression of Dominique.

"Come and Follow Me," with the artist, Dominique Ehrmann

“Come and Follow Me,” with the artist, Dominique Ehrmann

dominique-detail

Detail, “Come and Follow Me”

I suppose it’s only fair to show my quilt and me (below), and ask if you see any similarities? That smokey gray aura around the pot and my face, the oval neckline and neck of the pot. A shape that’s currently more rounded and bulbous than I’d prefer, but at least good fortune has given me a richness of experiences, and filled me with ideas and inspiration.

Yours truly, Eleanor Levie, with"Vessel"

Yours truly, Eleanor Levie, with”Vessel”

vessel-detail-bright

 

 

 

 

 

 

 

What do you think? Do we look like our art quilts?

Does your creative expression reflect your physical as well as psychological attributes? As we are created in the divine image, do we—subconsciously or consciously—replicate aspects of our own image or ourselves?

The Very Quilty State

Tuesday, July 2nd, 2013

Nope, I’m not talking about a state of mind. I’m talking about one of the United States of America. And no, it’s not Kentucky, even though the AQS show in Paducah turns the quilting demographic on its ear for one week out of the year.

I’m talking about a state where all year ’round,  fabric hunters and gatherers treat their quiltmaking  as a way of life.  I’m talking about Alaska.

p1019293 (2)

I’m pointing out details of Seasons at Denali, by Ree Nancarrow; scroll down to see the whole tour de force.

I was invited by two guilds in the Anchorage vicinity to present trunk shows, fashion shows, and workshops. The husband joined me after my week of teaching trip, and we traveled to Denali and Seward. Seemingly everywhere I went beautiful quilts hung on display.  I admired how they occupied walls above or alongside a window, so the endless sun of summer solstice could not wreak havoc with the fabric dyes.

The charmingly rustic Talkeetna Alaskan Lodge featured them high accompanied with other trophy items:

Talkeetna Alaskan Lodge 2

Talkeetna Alaskan Lodge 1

 

 

 

 

 

 

 

 

 

 

 

 

I saw quilts in restaurants: most noteworthy, the Snow Goose in Anchorage. Owner Jane Klopfer customized her wall hangings not only to the waterside site with its wonderful view of Sleeping Lady Mountain and the Cook Inlet, but also to each space, including a piece in the shape of a carpenter’s square–an “L” shape to fit around the restaurant store.

p1019744 (2)

P1019745 (2)

It’s hard to choose a favorite among Jane’s many wonderful chef d’oeuvres, so instead I simply tried to choose a favorite among the local brews. Hmmm, better try one more, with a side order of pita chips and hummus!

p1019749 (2)

p1019752 (2)

 

 

 

 

 

 

 

 

I found quilts hanging in bakeries, book stores, and government buildings. Little quilts were sold at the SeaLife Center in Seward, as well as in half the gift shops I browsed through.

And every other quilter told me not to miss the  four-paneled masterpiece at the Eielsen Visitor’s Center at Denali National Park and Preserve, and holy mackerel, were they right. The exquisite work by Ree Nancarrow depicts the awe-inspiring crescendo of life from the sub-zero, nearly dead of winter to the thundering herds and horticultural richness of the warmer months. An eloquent guru named Kevin who guided us through the park on a school bus (I heartily recommend the Kantishna Wilderness Trails road trip) challenged all his passengers to find the mosquitoes in the quilting. They’re there!

p1019295 (2)

Seasons of Denali, by Ree Nancarrow

The crown jewel of this quilt and of the park  is Denali, the highest mountain in North America; it’s alternatively known as Mount McKinley. Located in Alaska’s interior, it does seem to get the climate extremes.

Of course, no matter where you are in Alaska, it’s frigid and snow-blanketed much of the year. Any sane person given half a chance would wanna stay indoors and make quilts. When the weather warms up, many folks–women as well as men, go hook, line, and sinker after salmon, halibut, and cod. But if you’re like me, the only fishing you do is for compliments. In which case you’re apt to be a fabric-lover of a landlubber, sailing home from the quilt shop with precious booty, launching your latest project from the deck of your cutting mat, and steering it along with your sewing machine close at starboard.  Though come to think of it, I did meet at least a couple of quilters whose fishing boats are outfitted with a featherweight.

Anyhoo, it’s no fish tale: there are a LOT of savvy quilters in Alaska, and they’re kept happy by a goodly number of very good quilt shops. Each of them had a slightly different flavor, fabric inventory, and quilt samples for upcoming classes to lure in customers. I got to visit:

Dina’s Cozy Cabin Quilts  in Eagle River

Sylvia’s Quilt Depot in Wasilla

Just Sew in Palmer

The Quilt Tree and The Quilted Raven in Anchorage

(Geri and Maryellen–Did I miss any?)

Getting to see some gorgeous scenery was certainly a high point of my trip to Alaska. But even that was topped by the experience of getting to know some fabulous women. Whether at the top of their quilting game or not, all of them had hearts as big as the 49th state.

p1019016 (2)

Participants at my workshops each took a leap of faith, went on a wild and crazy adventure with me, and  created highly individualized, striking work, reflective of their singular personalities. I’ll soon be putting up pictures of the work they did on my workshop pages. Just scroll down past the description and supply list to view these creative geniuses in process.

Nine Patch Goes Wild

Weave a Skinny Quilt with Me

An Unforgettable Tote Bag

and Stretch Your Creativity

Check back here at these links later this fall to see if they’ve sent me pics of the finished projects!  Maybe by that time, I’ll be ready to post my own quilty reflections of Alaska in cloth. Sounds all soppy and cliche, but it really was the trip of a lifetime, and I’ve got enough visual memories and digital images from this trip to inspire quilts for the rest of my life.

Do you have a summer adventure planned to inspire your quiltmaking?