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Inspiring Quilting: Elly's blog to boost your creative IQ

Are you game for a quilting challenge?

May 14th, 2013
Take 20, detail

Take 20, detail

The intriguing themes of the Quilt Alliance’s 20th anniversary contest and auction always jump start my creativity, and this year’s theme, “20″ had me immediately sketching.  In fact, this is probably the first time I’ve had an idea and stuck with it. My inspiration was the crossed legs of a classic bistro table form  a double X, or XX — the Roman numeral for 20.

Friends and readers of this blog know about my fondness for upcycling foil-lined packaging. If you’re new to this blog, you may wanna look at my entire ReUse series before this one in my earlier post, Trash Stash Quilting. The great things about using trash are: free materials, no need to press, and the knowledge of helping the environmental situation that plagues our throw-away culture.

And the great things about making pieces for the Quilt Alliance’s annual fundraiser are: a push to produce work with definite guidelines, the opportunity to show work, the knowledge of contributing to this amazing organization, and, in my case, the freedom to exhibit in the public realm a piece that’s full of branding and logos many venues would not accept.

So I love this challenge, and pass along TWO challenges for you. First, you have until June 1 to submit your own “20″ quilt. Dimensions must be 20″ x 20,” natch, and all the info is on the website provided above.

Second, and you may have to place the winning bid on my quilt in order to rise to this challenge, I incorporated a little “I Spy” game in my quilt: Find twenty 20′s–characters (like the XX table legs), text (there’s lots on the packaging, such as “Use before 2012″ or the words for 20 in other languages), and quantities of items (5 Four-Patch blocks, 20 flowers).

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Maybe, just maybe, the number 20 marks your own anniversary, birth date of the month, sports hero jersey. But even if  20 has no special meaning for you, consider bidding on my quilt because of the advisory behind the title: It’s called “Take 20″– because everybody needs a break now and then, even if it’s just 20 minutes to enjoy a cuppa with a friend.

Alas, no time for that now—I’m off to mail in my entry!

 

 

 

 

One Response to “Are you game for a quilting challenge?”

  1. love the post.Custom Contracting 1235 Fairview St #169, Burlington, ON L7S 2K9

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Earth Day Dabbling

April 22nd, 2013

Went wOLYMPUS DIGITAL CAMERAalking with the husband yesterday, snapping pics of all the early spring flowers.

In our ‘hood, even humble plant pairings in clay pots looked spectacular.

Doncha love pansies that combine unlikely colors? Gives you the feeling that such a color palette might also succeed in a quilt…

Walked to work in celebration of Earth Day today. OK, truth is, I always walk to work–as my office and sewing studio is in my house. But before I get down to the nitty gritty, I’m auditioning my photo faves as art quilt subjects. Oh, and playing around with basic photo editing.  Jasc Photo Album lets me brighten and add vibrancy…or use special effects to radically invert the color palette…

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Flowering trees–Japanese cherry trees, crepe myrtles, magnolias, and more gave otherwise gritty alleyways a blushing gracefulness. Please leave a comment if you can identify this tree for me!

A “solarizing” effect gave a softer, other-worldly glow that has, for me, a calming effect…perhaps the lack of contrast, and the cool blues and greens.

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We strolled through the ritzy Society Hill neighborhoods, where folks spend gobs of moolah on abundant plantings, no doubt professionally designed and installed.

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A special effects called Glass Blocks let me turn this into a beautiful abstraction. If you’re intoxicated with color, you might even envision a Drunkard’s Path quilt or a granny motif afghan for a different sort of flower bed. In any case, do enjoy wending your way along your own path, letting Mother Nature and Tanta Technology inspire creativity!

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2 Responses to “Earth Day Dabbling”

  1. Fran Apland says:

    This quilt is intriguing with the movement of the colors and the textural depth. Will it be traveling with you to Alaska? Look forward to meeting you in June. Fran

  2. Eleanor says:

    Well, Fran, this quilt so far exists only in my manipulated photo. I do agree that it would make a neat work in fiber…and I’ll be sure to bring other examples of my crazy, eclectic work! I look forward to meeting you, too!

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A Flower Show is rather like a Quilt Show…

March 5th, 2013

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The Philadelphia Flower Show is rather like a royal banquet: a feast for the eyes…and nose, for that matter. I’m not so green, having been to a few even in the years before my husband and I transplanted ourselves to within walking distance of the Convention Center.  So I can say with some ability to judge by comparison that this year is as sumptuous and exciting as any. Worry not that the theme of Great Britain provides the horticultural parallel to bland English food. Rather, the title: “Brilliant!” inspired exhibitors to bring on the riches and inspiration by the barrel.

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The Flower Show is rather like an art exhibit. As I constantly snapped pics–like everyone else holding up an Iphone, cell phone, Ipad, or humongous big box camera with telescoping lens–I realized that  the same elements that make art well, art, make for a successful floral arrangement or garden bed: color, contrast, value, line, texture, pattern play, composition, balance, rhythm, repetition.

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A flower show is rather like a collection of stories.  And storytelling is where the Philadelphia Flower Show exhibits are bloomin’ awesome.  The Commonwealth (of England, that is, not Pennsylvania) provides lots of inspiration for conjuring up romantic idylls—cottage gardens, rustic hideaways, Mary Poppins and Peter Pan roof-tops. There is more than a nod to literature, i.e., Beatrix Potter, Lewis Carroll, Jane Austen.

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Some of the very best scenes were inspired by Dr. Jeckyll and Mr. Hyde, Sherlock Holmes, and Harry Potter, though my flashbulb dispelled the magic of the dark spaces of  laboratories, back alleys and narrow passageways,  underground subway stations and ancient crypts.

Surely, the graphic jolt and nostalgic sentiments of books and text heightens the take-away of a flower show:

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Pop culture played loud and clear as well, with too many yellow submarines to count, and a Peter Max-like review of musicians playing on the Big Ben clockface screen.

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A flower show is rather a heady affair, and with a British accent and the most recent royal wedding, this means crowns and fascinators. You remember, those little headpieces that defy gravity as they perch atop the head? The breakout fashion accessory seen at the wedding of Prince William and Kate Middleton? Lots of show-goers took advantage of a make-and-take opportunity and sported their fascinators through the show and out into the wintry winds. Of course, the headgear of the show were all composed of floral sprigs, stalks, berries, pods, leaves, moss, and fresh flowers.

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One popular feature of the flower show is rather like an exhibit of  dollhouses. There are always long lines to peer at the miniature displays, but at the end of the evening on a Monday, I was able to drag the husband through at a good clip. He admitted the prize winners were mind-bogglingly sophisticated, rather than cloyingly cute.

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A flower show is rather like a scavenger hunt: Looking closely rewards you with inspiration for recycled and unusual materials and containers.

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Come to think of it, the Philadelphia Flower Show delivers everything I love about quilts in a juried quilt show: all the elements of art and artistry, storytelling, surprising materials and innovative techniques, use of text and graphics,  fascinating wearables, and fabulous miniatures.

It even included a quilt hidden among the foliage! A priceless olde English heirloom you’d put out in the garden…methinks not! More likely, a tufted pinwheel pattern of feedsack fabrics, and downright American.

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Yes, a flower show is very like a quilt show. So you tell me, why do YOU think so many quilters are fond of gardening?

9 Responses to “A Flower Show is rather like a Quilt Show…”

  1. Karen Horton says:

    Eleanor, this is great — would love to see it. Not in the cards this year, but maybe next? So if you want company in 2014, holler!
    Can almost smell spring looking at the images.

    Karen

  2. Nice blog and great flower show! I love looking at flowers.

  3. Carl Harringto says:

    “Brilliant” pictures and commentary.

    If you go to the flower show, don’t miss the Jack the Ripper exhibit. Dark and mysterious but a ripping good exhibit.

    • Eleanor says:

      Here’s how it’s described in the Flower show notes: “This exhibit travels back to 1888 and the distorted, dark streets, the cold, factory-driven silhouettes of the East End, the back-alleys where illicit activities were the norm. And Jack the Ripper roamed.” Sounds dismal. Looks divine.

  4. Heidi Butler says:

    Beautiful writing. Not a prepositional pile-up in the piece. Gorgeous pictures. Makes even this failure of a gardener want to go to the show.

  5. Beth Wheeler says:

    This is fabulous Eleanor! It makes the small Home Show in Fort Wayne look mighty puny. Thanks so much for sharing!

  6. Leona Law says:

    Hi,
    Glad to see you remain a visual person. Photos make you feel almost a smell. Thanks for the visit!
    Hope to be in the city with Trina and Nancy, in the spring. We will call for a lunch date.
    Peace, Leona

  7. HelenMarie Marshall says:

    Think that is a flowering crabapple…maybe in latin is is a “prunus” something

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more trash into treasures

January 30th, 2013

 

I admit it, I am a trashy art lover! No, not soft porn, or sexy comic-book art, but art that utilizes the graphic excitement of commercial packaging and found objects. With these imaginative concoctions, that which is usually thrown away gets a second life  worthy of our highest regard. Not to mention that each one is a treasure of entertaining pleasure.

Eileen Neill commented to my last blog post: “I too make art quilts from trash. there is a particular brand of potato chips (Miss Vickie’s) here in Canada that has a really nice bag. I have made many small wall quilts using these bags. I commission my grandchildren to eat the chips for me.”

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Miss Vickie’s, by Eileen Neill

Fun! And makes me want to hit the pantry for some crunchy munchies myself!

I’ve shared in a previous blog how Amy Orr uses cut-up credit cards in her art. Get a load of another masterpiece with a diversity of discarded “gems.”

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Alphabet Quilt, by Amy Orr
Crack vials, action figures, miscellaneous plastic and metal fragments, Publishers Clearing House stamps and glass beads, hand-stitched onto velvet
41″ x 32″

Doncha LOVE it? Amy’s use of unusual trash and found objects always provide an underlying, almost subversive dimension to her collage fiber art. So, although you’re looking at a textural icon recalling a joyful classic juvenile quilt style, Amy is also commenting about the dark, dangerous horrors all too prevalent in the environment or future of a child living in urban poverty.

 

Ellen Saul, one of the  Dumpster Divers of Philadelphia now exhibiting in Upscaling: Trash into Treasures, used a stained, vintage hanky and vegetable bags, among other things, to make her little masterpiece, My Way, below. Excuse the glare from the glass, and like all these pieces, you just have to see them in the cloth! And, her other little hanky-pankies, on her website.

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Another member of this esteemed group of artists bound together by their talent for taking trash to the max is Ellen Benson. With the understanding that art quilts are one step away from more 3-D forms of mixed media, you’re bound to fall under the spell of Ellen’s talismans (talismen? taliswomen?).

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In the event you need an extra reason to covet them, Ellen makes a variety of weathered, ancient-looking labels available, so you get to choose the figure you want, plus the nightmare you wish to ward off. I seem to need the one that says Amulet to protect me from my computer going down….Talisman to prevent cellulite…or to ward off loud cell-phone users. You might prefer  Protection from overwhelming urges to go shopping–although I think there’s only good karma in purchasing from Ellen or other artists at dumpsterdivers.org.

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Finally, let me share the work of one more Dumpster Diver in this show–soon to close at the Main Line Unitarian Church in Devon, PA: a new and wonderful friend whose work was recently exhibited at the esteemed Snyderman-Works Gallery here in Philly: Linda Lou Horn.

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Linda Lou Horn

These “Ladies” are:

“Lit Up for You,” created with a parts of a lamp and other electrical components

Slinky Sally Shimmers, created with chair parts and part of a broom

Dart of My Heart, with a brush, doll shoes, and one found object that makes it an irresistible target for adoption.

If you like treasures from trash, green quilts, mixed media from found objects, please   comment below, share your work with me at elevie@comcast.net…

… and stay tuned for more adventurous art!

2 Responses to “more trash into treasures”

  1. Sam says:

    Love it! Is there an easy way to source fabric from clothes that don’t sell either at retail outlets or thrift shops? Any tips for finding good dumpsters for crafting?

  2. What you want to find for fabric that isn’t sold at retail outlets or thrift shops are stores that collect and sell rags. Generally, these rags are the ones that are used to weave rag rugs, and they are also used for other household uses (which is why they are collected). You can generally buy the stuff by the pound. Also, some larger thrift stores (not all locations) have a “by the pound” area where you can buy a lot of things very cheaply. I have found things thrown away and have gone after them in dumpsters in my mobile home park. Sometimes in some apartments and mobile home parks, there are tables where people can (and do) leave things for others to take. Anyway, you can check google for good resources for rags in your area and if not, there may be places where you can get them cheaply. I also use (as Eleanor does) things from my own home that would be thrown out. The bags cat and dog food come in are often a very nice, heavy plasticized paper and it can be cut and sewn. There are all sorts of things that generally get thrown away that you can use.

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Trash Stash Quilting

December 19th, 2012

My immodest alter ego calls it Recycled “Art.”

ReUSE #1, by Eleanor Levie, 2009
REUSE/Re:use/ Re: us/Re: U.S….

Here’s the thing: I just can’t throw away colorful, foil-lined packaging–the kind that holds a crease. So colorful and sturdy. So easy to cut and sew through. Pressing is just pinching—no ironing, unless the packaging is really wrinkly (which can be a good thing).

So besides the clear Rubbermaid tubs of fat quarters, and the drawers of wool, linen, upholstery-weight cottons and dress goods, I’ve now got bins of coffee bags–the kind that fold down, boxes of tea bag envelopes like Stash and Constant Comment, plus sacks of dog food bags for large backgrounds, Alka Seltzer and energy drink packets,  and even thinner packaging if the graphics rock. My friends save their empty bags for me. They know about my ReUse series (see it on my website gallery here). Yup, every so often I return to my stash of trash to make quilts. I could probably devote the rest of my quilting to using this medium…

The first one I made is on the wall of our just-renovated kitchen. Grease and dust? No prob, just sponge it off.

Another one is in our archway, between a gate and our front door. Silt and dirt from the city streets

are equally easy to wipe away.

Grounds for Recycling, by Eleanor Levie, 2011

 

Here are 2010′s and 2011′s ReUse series pieces, donated to the Quilt Alliance for their fundraising auctions:

ReUse #3, Home Sweet Home, Eleanor Levie, 2011; in the collection of Mark Lipinski

Tahrire Square, by Eleanor Levie, 16" square, 2011; in the collection of Meg Cox

Tahrire Square, by Eleanor Levie, 16″ square, 2011; in the collection of Meg Cox

The latest entry for the Quilt Alliance was three-dimensional:

Coffee House, by Eleanor Levie, 15"x19.5"x 2"

Coffee House, by Eleanor Levie, 15″x19.5″x 2″, 2012

Coffee House: side view

Coffee House: side view

Coffee House: open door

Coffee House: open door

 

 

I’m excited to say that one of my best friends–and suppliers of used coffee bags–won the auction bid on this Coffee House. So, for Christmas this year, I made a little sign: Emmetts’ to go over the Coffee House oval, and glossy photo of their beloved English Springer– hopefully in scale!–to personalize their new piece. I’ll add a photo of the new piece when it’s available, but in the meantime, you get the point!

 

 

 

 

 

The newest addition to my ReUse series is this little sample for a class I’ll teach for the Pomegranate Guild in Philadelphia next October. Notice it’s a simplification of Tahrire Square, featuring the Middle East hamsa, a good luck motif that wards off the evil eye. I’m also taking the opportunity to reuse bottle caps and vintage buttons. Not only that, my go-to background and backing is craft felt that is made from recycled plastic bottles. Once again, trash into treasure.

Kitchen Hamsa, by Eleanor Levie, 2012, 9" x 11", not including dingle-dangles

Kitchen Hamsa, by Eleanor Levie, 2012, 9″ x 11″, not including dingle-dangles

So….after you’ve got your serious work done, and your deadlines met, why not play hooky with a stash of trash? Here are my top tips:

  • Use small amounts of glue stick to hold appliques in place.
  • Use small amounts of cellophane tape to hold patches together, but be sure you are not stitching through the tape.
  • Use a size 90 needle in the machine, 50 or 60 weight thread, and larger stitches: you don’t want to perforate the foil-lined packaging so much that it tears.
  • Perforations are there to stay, so forget about ripping out. Just cut and restitch. Or throw the unit away–it’s just trash.
  • When your “quilt top” is done, lay it over a larger piece of felt in a coordinating or contrast color: this will show as your edging, and also provide the thin, soft filler. No pins or tape necessary. Quilt simply, and not too densely, working from the center outward.
  • Lay the quilted piece on another piece of felt, the same size as before. Quilt around the edges, adding a strip at the top for a hanging sleeve, and catching its top edge as you machine-stitch through all the layers.
  • Trim the felt slightly larger than the quilt top all around, using pinking shears or your rotary cutting supplies. Hand-tack the bottom edge of the sleeve in place.

These are just tips. There’s only one rule for making Recycled Art with a stash of trash: HAVE FUN! Please leave a comment. What do YOU recycle into ART?

10 Responses to “Trash Stash Quilting”

  1. Cheryl lynch says:

    What wonderful pieces with such delightful compositions. I have some snack bags I brought back from Israel with Hebrew printing. Now I know what I am going to do with them. Thanks.

  2. Cheryl lynch says:

    BTW,I’ll be teaching at the Pom convention too. Hope we get to meet.

    • Eleanor says:

      I met you at a Quilt Market, where I congratulated you on your new Quilt Fiesta! You are the queen of inspiring ideas! Let me know if you want home hospitality while you’re in Philly!

  3. Eileen Neill says:

    I too make art quilts from trash. there is a particular brand of potato chips (Miss Vicky’s) here in Canada that has a really nice bag. I have made many small wall quilts using these bags. I commission my grandchildren to eat the chips for me. I would send you a picture of one of them if you would give me your e-mail address. Cheers, Eileen

  4. LOVE what you are doing with recycling!

  5. Jennifer OBrien says:

    Really fun stuff. What a good idea. I have not done any recycling in quilting but I think I will try it.

  6. Lynn Kunz says:

    I, too, have dabbled in making art from plastic bags and packaging. The quilting is fun to do. I framed a piece and SOLD it at a gallery showing last summer! What a surprise! The framing really set it off. It inspired me to make more. I usually do some ironing to melt the plastics a bit. I also add fibers and beads. Now I’ll have to work on lettering. Your stuff is great! Thanks for the inspiration.
    Lynn Kunz

  7. Linda Lou Horn says:

    I love these Eleanor . . . I’ve been saving my 99 cent potato chip bags (something I should not have, but on occasion indulge-Baked) for a long time . . hoping to quilt and or weave something.

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Yellow = Optimism

November 14th, 2012

Yesterday, the hubster wanted to take a walk, and take in one of the last warm and gorgeous days of the year. Seeing how the gingko in front of our townhouse and the maple in back of it had just turned gorgeously golden, I ran to get my camera. Soon, I had a bad case of Yellow Fever: I couldn’t stop snapping wherever lemon, butterscotch, or canary turned up.  And Hubby was soon beating me to the Hello Yellow moments, pointing out the best shots, whether mellow yellow or mighty yellow.

  

     

 

Not all the yellow was flora, mind you. Still, the color endowed any item–no matter how mundane or humble–with zing.

  

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Didja get a load of that BRIGHT yellow house in my ‘hood? (How could you miss it?!) And at the risk of inviting more yellow puns or yolks, er, jokes, folks, it’s time to apply the Glad packaging of yellow to quilts. Here’s what that fab colorist, Kaffe Fassett does with yellow; this is Nona, from his book of a few years back, Passionate Patchwork:

 

 

And here’s Bouquet, by the wonderful, always thought-provoking folk artist, Ginny Smith:

 

The late, great, Jean Ray Laury knew a thing or two about yellow, as shown in this quilt she made of her commercial fabrics:

 

Here’s a sensational bit of whimsy from Jack M. Walsh III’s collection, as seen at the Morris Museum a few years back. Doesn’t the background color (ad)dress the happy dilemma faced by the artist’s daughter in getting dressed every morning? I seem to recall that the embroidered text repeats, “Does this look good on me?”  I truly regret that #1, it’s not in good focus, and #2, I don’t remember who created it…Can someone help me fill in the appropriate credit? And maybe I can get a good image from the folk artist, one that does this piece justice.

Let’s sashay on down the yellow brick road to my work. BIG surprise, and humble, yellow-bellied confession: I don’t look good in yellow, and even standing near it makes me look jaundiced. Sooooo, I have actually used yellow startlingly little in my quilts and my wearables! But since black and white makes ANY color rock, I did make a big yellow taxi tote:

Here’s where you can find the free directions. 

Or, take inspiration from any of the projects in my book, Unforgettable Tote Bags: 20 Designs too cool to leave in the car.

Or, bring me to your guild or local quilt shop to teach the workshop, Unforgettable Tote Bags. (You don’t have to use yellow.)

By now, I bet you’ve figured out the secret to using yellow. Even a little adds a dash of fun, joy, hope, cheer, sunshine. Pair it with its complement, purple (or lavender) to make it sing. Rev it up with red; cool it down with aqua. Go natural with shades of cream, or ramp up the star power with metallic gold and copper.

Here’s a couple of pillows I made for gifts –to bring some shine and sunshine to a comfy spot.

  

Anyone who has seen Sunflowers knows Van Gogh’s favorite color. Hey, skip the Van, Go Yellow! We all live in a Yellow Submarine, a Yellow Submarine, a Yellow Submarine…Now to dive into my next quilt project…and pick from among my photos to create an upbeat piece of quilted art. What’s your vote?

 

 

 

 

 

 

10 Responses to “Yellow = Optimism”

  1. English embroiderer, the late Constance Howard, with whom I was priveleged to attend a workshop years ago, taught us that absolutely every colour scheme must have at least the tiniest bit of a’yellow’ somwhere in it, to make it sing, she said. ie some value of yellow which could range from almost curry coloured through greeny yellows to orange yellows – some appropriate value of yellow. Even if it is just a few small embroidery stitches , or, in the case of quiltmaking it’s very easy to choose some kind of print with some yellow in it if you don’t want a whole piece of ‘yellow’, or include some very small slivers or tiny patches here and there. And I am sure she was right. I have problems whenever I see one of the technically complicated and marvellous quilts by a very well known north American quiltmaker who teaches, is published frequently, etc: her colour schemes are always brightly and strongly colured, but somehow lifeless and I am sure this is why – not a sign of any value of yellow.

  2. Elizabeth says:

    Thanks for adding some sunshine to my day!

  3. Betty says:

    It’s a wonderful color. It makes al gloom go away. There is so much grey during the late fall and winter and a shot of yellow perks everything up. Makes one want sing and dance.

  4. Eleanor says:

    Comments like these are enlightenment and mood-lightening. Thank you for writing!

  5. Eleanor says:

    What Alison Schwabe said on email: Nice pics. At least a little of some value of yellow is essential to give any scheme ‘life’. It doesn’t have to be bright sunshine yellow, and a colour can be ‘relatively yellow’ when put alongside others in a piece and it is therefore at that time behaving as ‘a yellow’ even if away from all those other colours it is an odd kind of grey/yellow or some kind of curry colour.

    I could never wear yellow when young, but now I am older and only when I have a touch of sun in the summer, I can wear a nice canary kind of yellow – but even better are the citrus values of yellow.

  6. I have a love/hate relationship to yellow, susceptible to outside influence. Your post may push me over to the love side, at least for a while!

  7. Anita says:

    The photos make me homesick for the east coast and I can’t wait to move back. Arizona has lots and lots of yellow but it just isn’t the same. My favorite yellow quote is by Vincent Van Gogh, who said “there is no blue without yellow and orange.”

  8. Madeline Hawley says:

    I love all of your yellow photos, it must have been a fun expedition. I agree that a bit of yellow makes a piece sing. Personally, the color makes me happy. Enjoyed your blog.

  9. SandraB says:

    The quilt with the many small dresses was made by Rachel Brumer. I’ve been an admirer of her work for many years. The name of the quilt is Let Her. It’s pictured in the book, The Art Quilt. I wouldn’t consider Rachel Brumer a folk artist, IMHO.
    SandyB

    • Eleanor says:

      A late thank you for that response and for providing that credit. I remember being surprised that it is Rachel’s work, because I was so enamored with her very sophisticated, deeply meditative installation “Cover Them.” She used dresses there, too, but also stones, train tracks, ravens or doves, hands, and other references to the 10,000 French children killed in the Holocaust. Quite a difference to this light-hearted lenience to her daughter picking out what to wear to school!

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Costume Review!

October 11th, 2012

Gotta gear up.

Oct. 20, the hubster and I host our Halloween Party, held only every four years, when a presidential election is looming. Guests are asked to come in mask or costume…which must reflect a political figure…or a political concept.  Some friends take the easy road, and buy masks: Nixon and Kennedy, for example. Others find simple props: Bill Clinton brought his saxophone, and Sandra Day O’Connor donned a graduation robe and white wig. Then there was the guy, a hunter, whose wife sewed curvy oblongs of brown fake fur to his sweatshirt, so he could be the Right to Bear Arms.  She wore a giant tapered cylinder that had Slushie on it, with monopoly money taped all over…Slush Funds. Carl, my hubby, wears a swing and a boater with a red, white, and blue hat band…he’s a swing voter. This year, he’s thinking an oven mitt and a couple of steaks, but after the last debate, Romney’s “Mitt-steaks” seem less pronounced.

We’re partying early, cuz  I’ll be hawking my new book, Quilt Blocks Go Wild! at Quilt Market in Houston the following weekend. And there, too, I’m prone to making an ass out of myself, for the sake of drawing attention to this book. (I’ll be at Schoolhouse, demoing at the Fairfield World booth, and doing a show-’n-tell and book-signing at Brewer’s booth. Haven’t quite figured out that costume yet, but it’s gotta be wild. Welcome your suggestions!

This photo album begins with a few pics from the last political Halloween bash, in 2008. That’s Jane Biberman as the Dems Donkey with a GOP elephant behind, and Sarah Stoll as Sarah Palin (remember her?). The rest are assorted costumes I’ve created for partying — beginning with Blind Justice–my quadriennial political spook…er, spoof. And then, lots more garbled garb for purposes of shameless self promotion at quilters’ gatherings and Purim celebrations. The rule of thumb is quick and clever, rather than appealing artistry!

Precious little quilting this time, but possibly some tongue-in-cheekiness to inspire your own upscale wearable statement–personal or political, at Halloween or anytime you wanna play the fool.

 

One Response to “Costume Review!”

  1. Antoinette Rappe says:

    Dominique on May 10,2011″I believe that life is a prize, but to win doesn’t mean your alive!”-Moment 4 Life (ft. Drake) Nicki Minaj!!.

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At play with mud…mud cloth, that is!

August 18th, 2012

Here I am with the hub in Belize–this was taken a couple of years ago. Only photo I could easily locate where I’m carrying my go-to travel tote, an airport purchase, made in China, waterproof, and many-pocketed. But not my own work, and despite the leopard print, eminently forgettable-looking. So NOT worthy of the author of Unforgettable Tote Bags–don’t you think? So I recently went about remedying that.

The process was a cinch, using small pieces of mud cloth.

Bògòlanfini or bogolan (“mud cloth”) is a handmade cotton fabric from Mali, woven in narrow widths and dyed with fermented…you guessed it, mud.  It is a symbol of Malian cultural identity.

Newsflash from Janet Goldner (see below):

Although usually translated as “mud cloth,” bogolan actually refers to a clay slip with a high iron content that produces a black pigment when applied to handspun and handwoven cotton textiles.  Mud is any old bit of earth mixed with water and will not dye the cloth.  Although bogolan is traditionally done on hand woven bands of cotton cloth, the word actually refers to the dye process.”
 Check out this wonderful site from the Smithsonian, called Discovering Mud Cloth. I love the fashions of Chris Seydou on this site, and there’s also a fun little interactive section for making virtual mud cloth–quick and dirty–NOT. Don’t want to actually mess with mud? Do what I did, and buy pieces of mud cloth from  Lisa Shepard Stewart of culturedexpressions.com.  Lisa no longer has the scraps (unless we all “virtually” get down on our knees and plead with her?), but she does carry packets for making mini purses, journal covers, and more on her website.

I removed the tray from my sewing machine, and with the free arm–or shall I say, arm free (like for stitching sleeves and pant legs), I could get the needle into the pockets. It was a simple matter to straight-stitch or zigzag-stitch the edges of the mud cloth to the outsides of the tote’s pockets.  Now, the delicious pattern and texture of the mud cloth tote-ally adds style and uniqueness. A few vintage buttons sealed the deal.

 

 

Click here for another fashion foray in mud cloth for you all. And, if you want to visit Mali and see for yourself how mud cloth is made, then you can do no better than to keep in touch with my friend Janet Goldner.  Janet is an amazing artist, sculptor, writer, photographer who frequently visits Mali– sometimes as an art tour guide. Not to mention, well, here I go mentioning—a passionate activist. And an inspirational model for how white chicks like me can get away with dressing African style! That’s the global trend, friends, for the utmost in style and sophistication.  Read the fashion mags, rags, and you’ll see, it’s clear as, well, mud.

3 Responses to “At play with mud…mud cloth, that is!”

  1. Marc says:

    Those mud cloth bags are gorgeous! Love seeing how you craft such beautiful objects from such interesting materials!

  2. Elizabeth says:

    Nice bag!

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Goodies for the Good Guys & Gals

August 8th, 2012

To my pals in patchwork publishing, the folks who edit your quilt guild’s newsletter:

I’ve got goodies for you.

Poems, prose from a private eye, and a puzzle—all about our passion: quilting.

You deserve it. You’ve got one of the hardest and most important jobs in the guild. Your colleagues in the guild get you articles and info late in the game, with loose threads and participles dangling, with more typos than you can shake a stiletto at. Photos or clip-art are sad…or sadly lacking. There’s the quicksand of copyright to worry about. And layouts? Mission impossible without a graphic design PhD or a teenager in the house. Yet you’re expected to get everything out in time.

So here it is. A zinger, a beam of light, a flight of fancy. Guaranteed to make your guild go gaga when they get next month’s issue.

Number ONE goodie is Quilt Verse. Jacquie Scuitto, aka The Muse, has been crafting poetry about our passionate pastime for some time now. I get a major tickle whenever she posts on Quiltart.net.  She knows our hidden agendas:

ROOM TO DREAM
By Jacquie Scuitto, aka The Muse
 
I dream of having a great big room
Just for me and my quilting
With lots of shelves and work space tops
And a comfortable chair for tilting.
A wall there’d be to try designs
And show off my creations.
My computer would be handy to communicate
My triumphs and elations.
The newest books would appear like magic
And never crowd up their shelves.
The fabrics likewise, and even better,
They would neatly fold themselves!
I might put a mini-kitchen in
And a comfy sofa bed.
Why not? It is my dream
And there’s lots of room in my head.

And she knows our weaknesses:

IRONING?
By Jacquie Scuitto, aka The Muse
 
Some people iron fabric but seldom clothes;
Press seams but not trouser creases;
Sew on buttons only to embellish;
Buy yardage to cut into pieces.
Are these persons crazy? A little deranged
With a view of the world rather strange?
No, this is normal behavior for a large group of people
Called quilters — and they don’t plan to change!

You can get the ebook collection of her poems at Smashwords.

Spend just a few bucks on an electronic version, and Jacquie will generously let you share an verse now and then (with credit, so guild members know where to go when they need a gift for a quilter!) Find her or follow her blog at http://quiltmuse.blogspot.com.
And then, challenge your guild members to submit their own quilt verse for the next issue…Bet you get a nibble as long as you don’t quibble!

Number TWO goodie– Quilts in the Attic: Uncovering the Hidden Stories of the Quilts We Love, by Karen Musgrave

Best price I’ve found is on Amazon.    

We all know how quilting can be therapeutic, but it’s not often that reading about quilts provides that service. But Quilts in the Attic is my current go-to read when I have a little time to kill and nerves on edge. One minute I’m gritting my teeth as I wait in long lines at the post office, the next minute I’m sinking my teeth into a most personal, deliciously satisfying story about someone devoting her heart and her art to making her mark on her world.  Mind you, this could be a book you read start to finish, but I pack it in my tote, and when impatience or anxiety calls my name, I grab it, pick a picture of a quilt, then delve into the secrets behind the stitches.  Quilters with lofty reputations are shown to be down-to-earth women of conscience and wit, while nobodies and needle-workers of long ago share their uncommon lives. Karen has a way of turning all of them into friends, and turning the quilts they created into never-to-be-forgotten classics.

Why not let this book inspire your guild chronicles? Let the guild historian, or corresponding secretary present the full story behind a member’s heirloom? There’s never enough time at Show ‘n Tell to share the full scoop…

Number THREE goodie — Full disclosure: This is tied to a new book, too. Mine!  Hot off the press, Quilt Blocks Go Wild!
I’m itching wildly to get it into people’s hands. To give a big hand to contributing celebs Malka Dubrawsky (those pillows on the cover are her designs), along with Karla Alexander, Pamela Dinndorf, Tonya Ricucci, Elizabeth Rosenberg, and yours truly (me!). I can’t wait for you to try your hand at taking a classic quilt block and making it your own, for quilts and wall hangings, table runners and tote bags, potholders and pillows.

Shameless sales pitch: Get it from me here, where it’s already at a great price. It’s too new to have accrued those oh-so influential reviews on Amazon. If you know my other books and you can foresee putting a mildly– if not wildly–positive review on Amazon, give me your contact info, and I’ll offer you the book at a price that’s unbeatable.

Or, get it from Amazon here.

But back to those guild newsletters. I had myself a wild time working on a crossword puzzle with a master puzzle creator who happens to be my cousin. The titular theme of the puzzle happens to be Quilt Blocks Go Wild! (Where have I heard that before?) The puzzle is free on my website, and you’re welcome to include it in your newsletter. Click here.

As for the solution, I’d be grateful if you send your guild members to my website, where they can confirm that they got it all right. Or not!

And maybe take a gander at my new book. Did I mention that I have one? Am I being wildly brazen here?

By now you’ve caught on to the fact that I’ve just presented 3 book reviews. Hey, wouldn’t a book review make a great little feature in the guild newsletter? If you think this creates work rather than relieves you of same, take the same sly approach Tom Sawyer used in whitewashing Aunt Polly’s fence: Start in, make it look fun, and step aside when your guild girlfriends clamor to do the job for you.

4 Responses to “Goodies for the Good Guys & Gals”

  1. Congratulations on your new book!! I’m sure it will be another winner!

  2. Cathy V says:

    Congrats on your new book! Looks great!

  3. Jeanne Marklin says:

    The new book looks great. I’m sure your instructions will be easy to understand as usual, and give many hours of quilting pleasure.

  4. It looks great, Eleanor, I’d love to review it in my new blog!

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What have we wrought here?

July 8th, 2012

 

While producing the book, Choosing Quilting Designs–one of the volumes of the Rodale’s Successful Quilting Library Series, I really got jazzed fleshing out unexpected sources of inspiration as suggested by Elsie Campbell in the chapter, “Great Inspirations.” Since then, I have frequently snapped architectural details with an eye toward how I might find good candidates for quilting. Here are some elegant ones, all in wrought iron, from my trip to Brussels, Belgium earlier this year:

My hubby and our friends walked the Art Nouveau neighborhoods, and I could hardly stop snapping:

 

 

 

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

But here’s my all-time favorite design:

  

 

 

That window design was the one that inspired my latest piece of wearable art. As I was designing for summer, it unfurls itself as free-motion stitchery and applique rather than quilting. I used it to embellish–and rescue–a sort of kimono top that I got at Loehmann’s decades ago. It came with a skirt that no longer fits–go figure! (Cuz my figure has already gone!).

Oh so blah!

Oh so blah!

 

Click on this to enlarge for an embarrassing bootie call!

Click on this to enlarge for an embarrassing bootie call!

Traced the blown-up window image onto Sulky Solvey.

Traced the blown-up window image onto Sulky Solvey.

So now I had a pattern to follow, and a stabilizer. Once the lines were free-motion stitched with a heavy thread--like King Tut, the kimono was rinsed, and the Sulky Solvey dissolved.

So now I had a pattern to follow, and a stabilizer. Once the lines were free-motion stitched with a heavy thread–like King Tut, the kimono was rinsed, and the Sulky Solvey dissolved.

Next, I added circle and leaf shapes: pulling from my black and white fabrics, with Wonder-Under to fuse, a lighter-weight thread to outline and secure.

Next, I added circle and leaf shapes: pulling from my black and white fabrics, with Wonder-Under to fuse, a lighter-weight thread to outline and secure.

 

 

 

 

Doncha like the modesty panel I added to the bottom--to cover my bottom? Also lengthened the sleeves--cuz what's the good of a short-sleeve jacket, anyway?

Doncha like the modesty panel I added to the bottom–to cover my bottom? Also lengthened the sleeves–cuz what’s the good of a short-sleeve jacket, anyway?

If you’d like to hear more about Choosing Quilting Designs, learn about it here.

 

Wanna bring a fun program to your quilt guild? I’ve got lots of wearable art pieces that fit a multitude of body shapes, so YOU get to be the runway models for Quilt Wearabouts: Strut Your Stuff. Tons of inspiration and laughs! Add a Show ‘n Tell where guild members bring their wearables–tote bags and purses, too.  Just click on the colored text above, and I’ll take you there (so to speak).

Comments always welcome!! No gobblety-gook to type in to prove you’re not a robot! Tell me what you think! Tell me what unlikely sources of inspiration rock your quilting designs!

 

3 Responses to “What have we wrought here?”

  1. Beth says:

    I love your jacket, and I like the addition of the “modesty” panel. The length is very nice. I use architectural inspirations for quilting designs too. I also use drawings I’ve made from designs on ancient pottery that I find in museums.

  2. Linda Steele says:

    Congratulations on your jacket, it looks great. Thanks for telling us about your process. I love all your photos. I must remember to take more photos of that sort of thing.

  3. Lorchen Nunn says:

    There is nothing wrong with your bum!….. Gorgeous jacket. Looks real classy!

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