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Inspiring Quilting: Elly's blog to boost your creative IQ

Archive for the ‘Personally Speaking’ Category

Man Bag

Wednesday, August 14th, 2013

 

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“Today I am a man.” This is the proclamation given by a 13-year old Jewish boy as he becomes a bar mitzvah–son of the commandment. At one  time, the ripe old age of 13 –12 1/2 for a girl–meant eligibility for marriage. While that’s no longer the case, and while no one throws such a child the car keys or lifts the weekend curfews at this stage, the occasion does herald an elevated status and increased responsibilities. For example, a 13-year-old boy counts towards the minimum number of people required for opening up the sacred book of the Torah. He can be asked to be a pallbearer. He is expected to fast at Yom Kippur, the day of Atonement. In progressive Jewish communities, these are all true for a girl, or bat mitzvah, as well.

My cousin–twice removed, as we count the generations between us–reached this milestone earlier this summer.  At which time his mother released the most wonderful, exuberant family picture. Which I photo-transferred to fabric, framed with fabric, and made into a bag.

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Such a patchwork treatment is tote-ally appropriate for a man bag… NOT. And I hardly expect my cuz to carry it as he goes about with his pals. Still, his “Today-I-am-a-man-bag” was a good place for me to tuck in a check, and I would hope that it can maybe hang in his room, holding some photos, albums, cards, and other souvenirs of the big day.

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I’d love to get your comments sharing how you personalize gifts of money, or tote bags. And to see a ton of quick, easy-to-make, and wonderful bags by celebrity quilters, do check out my book, Unforgettable TOTE BAGS. It’s a free giveaway for every single attendee if I’m giving a trunk show or other presentation to your guild in the next year…or while supplies last. Otherwise, it’s almost a giveaway on my website.

For anyone wishing to frame a photo on a bag, I offer these how-to’s, which encompass a bunch of my quilting shortcuts:

1–It’s just a tote bag, not an heirloom.  So yes, you’re supposed to soak fabric in Bubble Jet Set or other product before doing the photo-transferring, in order to prevent the image from fading over time. But again, it’s just a tote bag. You might want to forget about all that prep work.

2–Use a ready-made tote bag as  a lining–you know you’ve got a bunch of  canvas totes with irrelevant logos splashed on them.  Let the dimensions dictate the bag you make. Use a permanent-ink marker on the logo-less back to write a message to the recipient on the bag. Alakazam: combination gift, gift bag, and card!

3–Iron the fabric to paper-backed fusible web. This is usually done with freezer paper, but either way, the paper backing stabilizes the fabric so that after you trim it to 8 1/2″ x 11″ it can pass through your printer. Now, it’s a piece of cake to pull off the release paper and fuse the photo-transfer to the center of a rectangle of fabric that’s just 1/2″ larger all around than the tote bag. This background fabric will be used as a foundation; you won’t see it, so it doesn’t matter what it looks like, as long as it doesn’t have a dark graphic that might show through the photo.

4–Pin coordinating fabric strips to one side of the photo, with right sides together and raw edge of the strip overlapping the edge of the image by 1/2″. Stitch, 1/4″ from the raw edge, then press the strip to the right side. Repeat on the opposite side of the photo, and then on the two remaining sides. This makes a frame, like Log Cabin Courthouse Steps variation.

5–For a Pineapple Log Cabin with the look of photo corners, lay short strips of contrast fabric (here, red) across the corners, with right sides together. Stitch, turn outward, and press.

6–Repeat steps 3 and 4. Add framing strips until the bag is 1″ wider than the tote you’ll use as the lining, plus an additional 3″ at the top.

7–If you want, place the bag front on batting, and quilt as desired. I didn’t.

8–Cut a same-size rectangle for the bag back. Place the back and front together with right sides facing, and stitch along the sides and bottom, 1/2″ from the edges. Turn the top edge 1/2″ to the wrong side, and press.

9–Make a boxed bottom: If the tote bag has a bottom, measure how deep it is. With the patchwork exterior still wrong side out, align the bottom and side seams to create a triangle. Stitch the base of the triangle, so that the height of the triangle is equal to the depth of the tote bag bottom–or the depth of the bag you want to create.

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10–Turn the patchwork bag right side out. Cut off the handles of the commercial tote bag, and turn the bag wrong side out. Stuff it into the patchwork bag, aligning the side seams and bottom. Turn the 3″ excess over the rim, pin along the folded edge, and stitch.

11–If you want, stitch down into the bag as far as your machine can, to quilt or at least secure the exterior and lining of the bag. I didn’t bother.

12–Add back those handles. I actually ditched the ones that came with the commercial tote and used two 20″ lengths of black webbing.

13–Stick a check or gift certificate into the bag and mail it to the lucky recipient!  Mazel tov!

 

Do your quilts look like you?

Monday, July 15th, 2013

It’s often said that people look like their dogs. Undoubtedly, when folks you look for a pet, on some level, mostly subconscious, they look for something that is a bit like them…in physical attributes or personalities.

At the opening reception of Sacred Threads art quilt exhibition on Saturday, I asked lots of the artists who attended to pose with their pieces.

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Susan Leonard with her “Silken Masks”

And in reviewing these photos two days later, I am struck by the similarities of the woman and her work. On some level, this is a well, duh! conclusion. Of course our art is a reflection of our essence, the depths of our emotion—from buoyant joy to the darkest depths of grief, our memories and dreams. Of course we choose the colors and patterns we love for making quilts for our walls as well as for clothing for our bodies.  I would go so far as to suggest that creative self-expression calls for an acceptance one’s self and a confidence to share: This is who I am.

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Pollution in the Gulf, by Marianne R. Williamson

Marianne with her granddaughter, Sabina

Marianne with her granddaughter, Sabina

Karen S. Riggins and her piece, “The Feminine Embraces”

 

Linda K. Bell with “Life is Change”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Shabbat Blessings,"  Susan L. Robbins

“Shabbat Blessings,” Susan L. Robbins

"Welcoming Doors," with Deborah Sorem

“Welcoming Doors,” with Deborah Sorem

 

French Canadian Dominique Ehrmann was invited by the Sacred Threads organizers to share her very large and dimensional installation, “Come and Follow Me.” It’s easy for me to see this artist in the folk-art figure of the girl as seen from the back. There’s an upbeat, bright, positively Pollyanna attitude about every layer of this stage-set, with many backstories to tell. And it certainly matches my impression of Dominique.

"Come and Follow Me," with the artist, Dominique Ehrmann

“Come and Follow Me,” with the artist, Dominique Ehrmann

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Detail, “Come and Follow Me”

I suppose it’s only fair to show my quilt and me (below), and ask if you see any similarities? That smokey gray aura around the pot and my face, the oval neckline and neck of the pot. A shape that’s currently more rounded and bulbous than I’d prefer, but at least good fortune has given me a richness of experiences, and filled me with ideas and inspiration.

Yours truly, Eleanor Levie, with"Vessel"

Yours truly, Eleanor Levie, with”Vessel”

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What do you think? Do we look like our art quilts?

Does your creative expression reflect your physical as well as psychological attributes? As we are created in the divine image, do we—subconsciously or consciously—replicate aspects of our own image or ourselves?

Pick a Pomegranate, Perhaps

Thursday, April 12th, 2012

“Choose a motif to represent yourself,” said South African contemporary quilt artist Rosalie Dace (rosaliedace.co.za). In this extraordinary class called “Signs & Symbols” that I took at Quilt Surface Design Symposium four summers ago, Rosalie explained that even basic shapes can be used to express your essence. Circles and curvy, round shapes, for example,  are intuitively feminine forms. Rosalie, hot as a teacher as well as quilter, frequently uses the sun of Durban, her hometown, in her work. Me, I tend to be pretty fruity. My body, I figured, brings the pear to mind, but I picked the pomegranate. The rich colors, the bulbous form, and that crown–it says diva to me.

I’ve just pulled out that class piece I worked on in 2007 and brought home to finish…but never got around to. In showing it to you here, the pressure is on to go back and make it ripen it to fruition! Please share a critical comment–plant a seed in my brain to help me organize and improve the composition, or to motivate me to just get it done! As a thank you, I’ll enter you into a drawing for my book, Unforgettable Tote Bags: 20 designs too cool to leave in the car. 

  

NEWS FLASH: The amazing Pamela Allen of Canada just honored me with more than a mere crit, but a dynamic, digital rendition.  Had to add right here, right now. Because it’s such a  brilliant idea, with potential to work in many other applications–your work, perhaps! What Pamela did was to adapt elements from my piece and echo and elongate them for unity, cohesiveness, and flow.

Pamela pitches pomegranates to perfection!

I can’t wait to play with this concept, using my cut and paste, er, pin way of working. Now, back to the blog.

Ahh, the mystery, the history of this fantastical fruit!

Embroidered panel I saw recently at the Jewish Museum of Belgium, in Brussels.

Did you know…?

  • The forbidden fruit in the Garden of Eden is thought to have been a pomegranate. (Since when did you ever see apple trees in the Middle East, the cradle of civilization?)
  • Ancient Egyptians regarded the pomegranate as a symbol of prosperity and ambition. (A few of these fancy fruits–to dry and set out in a big bowl–is gonna set you back quite a few dollars, so you better have a good amount of disposable income for this showy decorating effect.)
  • In India, for generations, the rind of the fruit and the bark of the pomegranate tree has been used to treat diarrhea, dysentery, and hemorrhoids; to stop nose bleeds; and, in combo with mustard seed oil, to tone skin  and firm up sagging breasts! (Note to self: add pomegrates and mustard seed oil to the grocery list.)
  • Jews have often used views of this fruit on coins, coronets, and to decorate the handles of the Torah scrolls. My people like to co-relate the many, many seeds with the many, many laws in the Torah (613–don’t ask me how many– er, how few I observe).
  • All those multitudinous seeds means the pomegranate symbolizes fertility in many cultures. (Hey, I may only have one child, but let my publishing and quiltmaking efforts be fruitful!!)
  • In paintings of Mother Mary or baby Jesus, pomegranates are shorthand religious symbols for Sandro Botticelli, and for Leonardo da Vinci, code.
  • The French term  for pomegranate is grenade. Soldiers noted the similar shape of early explosives and the name stuck. (Can I maybe get a little credit for using of pomegranates in my work as an anti-war statement? Even if I didn’t know about this at the time I began?)
  • To “seed” a pomegranate, break pieces of seeds and pithy membrane and put in water. The pith will float, the seeds will not.  Scoop up some seeds and sprinkle over a green salad. The sweet, juicy pulp is a wonderful enhancement. (And in moderation, the crunch of the seeds is not half bad.)
  • You can make your own pomegranate juice or syrup (grenadine). I don’t though. After all, Pom comes in that great bottle, and you just need to pour a tiny bit of  the dense grenadine slowly over OJ on ice for a very arty effect. Plus, a jigger of tequila turns it into a Tequila Sunrise. Cheers!

Here’s a plum offer: Mention other cool pomegranate facts, mythology, and recipes, and I’ll enter you into the drawing for my book, Unforgettable Tote Bags: 20 designs too cool to leave in the car.

Much more recently–last week, in fact, I was lucky enough to take a class with Judy Langille  (judylangille.com) called  “Cut, Slash and Tear Your Way to Innovative Fabric Design.”  It was, conveniently enough for me, held in my local area as part of the FiberPhiladelphia 2012 extravaganza. Judy had us students using silk screens and making thermofaxes, but freezer paper was the key tool.

Determined to avoid adding to my stash and coming home with yet another unfinished class project, I began with one of my grandmother’s linen dresser scarves.  Hemmed and edged with tatted lace, it dictated the parameters and the old fashioned, feminine mood of the finished piece. Following Judy’s cue, I ironed freezer over the whole linen rectangle, and then cut out various pomegranate shapes to color with dyes. Then, I masked only the pomegranate shapes, and went to work on the background.  Longtime buddy Sammie Moshenberg’s photo of a dune fence, taken during a joint family beach vacation in 2007, provided the repeat motif. Fed through the thermofax, the image gave me great visual texture I applied in yellow, tan, and green paint. In addition, I utilized some of Judy’s thermofaxes (rings, a gridded dot designs) and my own– well, text cribbed from the Internet, the definition for pomegranate, printed out in a florid script font. Plus a few dots and rings from stamping with a pencil eraser.

The best thing about my class project? It’s done!

Hey, do you ever do surface design, applique, quilting, or embellishment over vintage linens? If so, leave a comment and tell me about it, or point to your website or blog for a picture. Would you believe it, you’ll be entered into a drawing for my book, Unforgettable Tote Bags: 20 designs too cool to leave in the car. It’s a green book, so I’m prepared to give away 22 copies by Earth Day, April 22. (Note: Flat rate postage to be charged if winners reside outside the contiguous USA.)

Remember, I’ll be pleased as, well, pomegranate punch if you leave a comment!

 

Let me introduce myself!

Tuesday, March 20th, 2012

Skinny Quilts & Table Runners I and IICountry Living’s Country Quilts…the Rodale’s Successful Quilting Library series: just a few of the quilt books to my credit. I can brag without shame, because all of my books bring you the diverse talents of best-loved quilt designers and quilt teachers, as well as my own work. So while I’m an author, an editor, a book producer, and a quilter, I’m most proud of my roles as ringleader, scout, and coach.

I love entertaining quilt guilds with trunk shows that include a broad spectrum of quilts: vintage and contemporary, out-of-the-ordinary and downright daring– plus my own wacky and eclectic work. And my workshops–they’re more like play-dates, where quilters of every skill and confidence level design their own one-of-a-kind originals under my guidance and what-if encouragement.

But hey, no need to leave home! HERE is where I will share short cuts and how-to’s, review must-see shows and must-read books, and throw out new ideas to jumpstart your creativity.

Beyond the quilt world, I am a Sunday school art teacher, social action and community service volunteer, a cook who specializes in brunch, and an urban gardener; married to a marketer who keeps me savvy; mother of an environmental engineer who keeps me green. You can bet that all these aspects of my life will add color and texture to this blog, inspiring quilting of my own, and hopefully yours!